The Collected Tales and Poems of Edgar Allan Poe

Edgar Allan Poe was one of the most original writers in the history of American letters, a genius who was tragically misunderstood in his lifetime. He was a seminal figure in the development of science fiction and the detective story, and exerted a great influence on Dostoyevsky, Arthur Conan Doyle, Jules Verne, and Charles Baudelaire, who championed him long before Poe was appreciated in his own country. Baudelaire's enthusiasm brought Poe a wide audience in Europe, and his writing came to have enormous importance for modern French literature. This edition includes his most well-known works--"The Raven," "The Pit and the Pendulum," "Annabel Lee," "The Fall of the House of Usher," "The Murders in the Rue Morgue"--as well as less-familiar stories, poems, and essays.
The Unparalleled Advanture of One Hans Pfaall

With a heart of furious fancies, 
Whereof I am commander, 
With a burning spear and a horse of air,
To be wilderness I wander. 
—Tom O'Bedlam's Song

By late accounts from Rotterdam, that city seems to be in a high state of philosophical excitement. Indeed, phenomena have there occurred of a nature so completely unexpected—so entirely novel—so utterly at variance with preconceived opinions—as to leave no doubt on my mind that long ere this all Europe is in an uproar, all physics in a ferment, all reason and astronomy together by the ears.

It appears that on the day of, (I am not positive about the date,) a vast crowd of people, for purposes not specifically mentioned, were assembled in the great square of the Exchange in the well-conditioned city of Rotterdam. The day was warm—unusually so for the season—there was hardly a breath of air stirring; and the multitude were in no bad humor at being now and then besprinkled with friendly showers of momentary duration, that fell from large white masses of cloud profusely distributed about the blue vault of the firmament. Nevertheless, about noon, a slight but remarkable agitation became apparent in the assembly: the clattering of ten thousand tongues succeeded; and, in an instant afterward, ten thousand faces were upturned toward the heavens, ten thousand pipes descended simultaneously from the corners of ten thousand mouths, and a shout, which could be compared to nothing but the roaring of Niagara, resounded long, loudly, and furiously, through all the city and through all the environs of Rotterdam.

The origin of this hubbub soon became sufficiently evident. From behind the huge bulk of one of those sharply defined masses of cloud already mentioned, was seen slowly to emerge into an open area of blue space, a queer, heterogeneous, but apparently solid substance, so oddly shaped, so whimsically put together, as not to be in any manner comprehended, and never to be sufficiently admired, by the host of sturdy burghers who stood open-mouthed below. What could it be? In the name of all the devils in Rotterdam, what could it possibly portend? No one knew; no one could imagine; no one—not even the burgomaster Mynheer Superbus Von Underduk—had the slightest clew by which to unravel the mystery; so, as nothing more reasonable could be done, every one to a man replaced his pipe carefully in the corner of his mouth, and maintaining an eye steadily upon the phenomenon, puffed, paused, waddled about, and grunted significantly—then waddled back, grunted, paused, and finally—puffed again.

In the meantime, however, lower and still lower toward the goodly city, came the object of so much curiosity, and the cause of so much smoke. In a very few minutes it arrived near enough to be accurately discerned. It appeared to be—yes! it was undoubtedly a species of balloon; but surely no such balloon had ever been seen in Rotterdam before. For who, let me ask, ever heard of a balloon manufactured entirely of dirty newspapers? No man in Holland certainly; yet here, under the very noses of the people, or rather at some distance above their noses was the identical thing in question, and composed, I have it on the very best authority, of the precise material which no one had ever before known to be used for a similar purpose. It was an egregious insult to the good sense of the burghers of Rotterdam. As to the shape of the phenomenon, it was even still more reprehensible. Being little or nothing better than a huge fool's-cap turned upside down. And this similitude was regarded as by no means lessened when, upon nearer inspection, the crowd saw a large tassel depending from its apex, and, around the upper rim or base of the cone, a circle of little instruments, resembling sheep-bells, which kept up a continual tinkling to the tune of Betty Martin. But still worse.—Suspended by blue ribbons to the end of this fantastic machine, there hung, by way of car, an enormous drab beaver hat, with a brim superlatively broad, and a hemispherical crown with a black band and a silver buckle. It is, however, somewhat remarkable that many citizens of Rotterdam swore to having seen the same hat repeatedly before; and indeed the whole assembly semed to regard it with eyes of familiarity; while the vrow Grettel Pfaall, upon sight of it, uttered an exclamation of joyful surprise, and declared it to be the identical hat of her good man himself. Now this was a circumstance the more to be observed, as Pfaall, with three companions, had actually disappeared from Rotterdam about five years before, in a very sudden and unaccountable manner, and up to the date of this narrative all attempts at obtaining intelligence concerning them had failed. To be sure, some bones which were thought to be human, mixed up with a quantity of odd-looking rubbish, had been lately discovered in a retired situation to the east of the city; and some people went so far as to imagine that in this spot a foul murder had been committed, and that the sufferers were in all probability Hans Pfaall and his associates. But to return.

The balloon (for such no doubt it was) had now descended to within a hundred feet of the earth, allowing the crowd below a sufficiently distinct view of the person of its occupant. This was in truth a very singular somebody. He could not have been more than two feet in height; but this altitude, little as it was, would have been sufficient to destroy his equilibrium, and tilt him over the edge of his tiny car, but for the intervention of a circular rim reaching as high as the breast, and rigged on to the cords of the balloon. The body of the little man was more than proportionally broad, giving to his entire figure a rotundity highly absurd. His feet, of course, could not be seen at all. His hands were enormously large. His hair was gray, and collected into a queue behind. His nose was prodigiously long, crooked, and inflammatory; his eyes full, brilliant, and acute; his chin and cheeks, although wrinkled with age, were broad, puffy, and double; but of ears of any kind there was not a semblance to be discovered upon any portion of his head. This odd little gentleman was dressed in a loose surtout of sky-blue satin, with tight breeches to match, fastened with silver buckles at the knees. His vest was of some bright yellow material a white taffety cap was set jauntily on one side of his head; and, to complete his equipment, a blood-red silk handkerchief enveloped his throat, and fell down, in a dainty manner, upon his bosom, in a fantastic bow-knot of super-eminent dimensions.

Having descended, as I said before, to about one hundred feet from the surface of the earth, the little old gentleman was suddenly seized with a fit of trepidation, and appeared disinclined to make any nearer approach to terra firma. Throwing out, therefore, a quantity of sand from a canvas bag, which he lifted with great difficulty, he became stationary in an instant. He then proceeded, in a hurried and agitated manner, to extract from a side-pocket in his surtout a large morocco pocket-book. This he poised suspiciously in his hand, then eyed it with an air of extreme surprise, and was evidently astonished at its weight. He at length opened it, and drawing therefrom a huge letter sealed with red sealing-wax and tied carefully with red tape, let it fall precisely at the feet of the burgomaster, Superbus Von Underduk. His Excellency stooped to take it up. But the aeronaut, still greatly discomposed, and having apparently no further business to detain him in Rotterdam, began at this moment to make busy preparations for departure; and it being necessary to discharge a portion of ballast to enable him to reascend, the half dozen bags which he threw out, one after another, without taking the trouble to empty their contents, tumbled, every one of them, most unfortunately upon the back of the burgomaster, and rolled him over and over no less than half a dozen times, in the face of every individual in Rotterdam. It is not to be supposed, however, that the great Underduk suffered this impertinence on the part of the little old man to pass off with impunity. It is said, on the contrary, that during each of his half dozen circumvolutions he emitted no less than half a dozen distinct and furious whiffs from his pipe, to which he held fast the whole time with all his might, and to which he intends holding fast (God willing) until the day of his decease.

In the meantime the balloon arose like a lark, and, soaring far away above the city, at length drifted quietly behind a cloud similar to that from which it had so oddly emerged, and was thus lost forever to the wondering eyes of the good citizens of Rotterdam.
Edgar Allan Poe was born in Boston, USA, in 1809. Poe, short story writer, editor and critic, he is best known for his macabre tales and as the progenitor of the detective story. He died in 1849, in mysterious circumstances, at the age of forty.

J. Gerald Kennedy is Boyd Professor of English Emeritus at Louisiana State University and a past president of the Poe Studies Association. His books on Poe include Poe, Death, and the Life of Writing (1987), “The Narrative of Arthur Gordon Pym” and the Abyss of Interpretation (1995), and several edited volumes including A Historical Guide to Edgar Allan Poe (2001), Romancing the Shadow: Poe and Race (2001; with Liliane Weissberg), and Poe and the Remapping of Antebellum Print Culture (2012; with Jerome McGann). His major contribution to American literary studies is Strange Nation: Literary Nationalism and Cultural Conflict in the Age of Poe (2016), written with the support of fellowships by the John Simon Guggenheim Memorial Foundation and the National Endowment for the Humanities. He has also published Imagining Paris: Exile, Writing, and American Identity (1993), and he edited the Penguin Classics edition of The Life of Black Hawk (2008). He has appeared in many Poe documentary films, including The Mystery of Edgar Allan Poe(1994) for the A&E Biography series and Eric Stange’s film for the PBS American Masterpiece series, Edgar A. Poe: Buried Alive (2017). View titles by Edgar Allan Poe

About

Edgar Allan Poe was one of the most original writers in the history of American letters, a genius who was tragically misunderstood in his lifetime. He was a seminal figure in the development of science fiction and the detective story, and exerted a great influence on Dostoyevsky, Arthur Conan Doyle, Jules Verne, and Charles Baudelaire, who championed him long before Poe was appreciated in his own country. Baudelaire's enthusiasm brought Poe a wide audience in Europe, and his writing came to have enormous importance for modern French literature. This edition includes his most well-known works--"The Raven," "The Pit and the Pendulum," "Annabel Lee," "The Fall of the House of Usher," "The Murders in the Rue Morgue"--as well as less-familiar stories, poems, and essays.

Excerpt

The Unparalleled Advanture of One Hans Pfaall

With a heart of furious fancies, 
Whereof I am commander, 
With a burning spear and a horse of air,
To be wilderness I wander. 
—Tom O'Bedlam's Song

By late accounts from Rotterdam, that city seems to be in a high state of philosophical excitement. Indeed, phenomena have there occurred of a nature so completely unexpected—so entirely novel—so utterly at variance with preconceived opinions—as to leave no doubt on my mind that long ere this all Europe is in an uproar, all physics in a ferment, all reason and astronomy together by the ears.

It appears that on the day of, (I am not positive about the date,) a vast crowd of people, for purposes not specifically mentioned, were assembled in the great square of the Exchange in the well-conditioned city of Rotterdam. The day was warm—unusually so for the season—there was hardly a breath of air stirring; and the multitude were in no bad humor at being now and then besprinkled with friendly showers of momentary duration, that fell from large white masses of cloud profusely distributed about the blue vault of the firmament. Nevertheless, about noon, a slight but remarkable agitation became apparent in the assembly: the clattering of ten thousand tongues succeeded; and, in an instant afterward, ten thousand faces were upturned toward the heavens, ten thousand pipes descended simultaneously from the corners of ten thousand mouths, and a shout, which could be compared to nothing but the roaring of Niagara, resounded long, loudly, and furiously, through all the city and through all the environs of Rotterdam.

The origin of this hubbub soon became sufficiently evident. From behind the huge bulk of one of those sharply defined masses of cloud already mentioned, was seen slowly to emerge into an open area of blue space, a queer, heterogeneous, but apparently solid substance, so oddly shaped, so whimsically put together, as not to be in any manner comprehended, and never to be sufficiently admired, by the host of sturdy burghers who stood open-mouthed below. What could it be? In the name of all the devils in Rotterdam, what could it possibly portend? No one knew; no one could imagine; no one—not even the burgomaster Mynheer Superbus Von Underduk—had the slightest clew by which to unravel the mystery; so, as nothing more reasonable could be done, every one to a man replaced his pipe carefully in the corner of his mouth, and maintaining an eye steadily upon the phenomenon, puffed, paused, waddled about, and grunted significantly—then waddled back, grunted, paused, and finally—puffed again.

In the meantime, however, lower and still lower toward the goodly city, came the object of so much curiosity, and the cause of so much smoke. In a very few minutes it arrived near enough to be accurately discerned. It appeared to be—yes! it was undoubtedly a species of balloon; but surely no such balloon had ever been seen in Rotterdam before. For who, let me ask, ever heard of a balloon manufactured entirely of dirty newspapers? No man in Holland certainly; yet here, under the very noses of the people, or rather at some distance above their noses was the identical thing in question, and composed, I have it on the very best authority, of the precise material which no one had ever before known to be used for a similar purpose. It was an egregious insult to the good sense of the burghers of Rotterdam. As to the shape of the phenomenon, it was even still more reprehensible. Being little or nothing better than a huge fool's-cap turned upside down. And this similitude was regarded as by no means lessened when, upon nearer inspection, the crowd saw a large tassel depending from its apex, and, around the upper rim or base of the cone, a circle of little instruments, resembling sheep-bells, which kept up a continual tinkling to the tune of Betty Martin. But still worse.—Suspended by blue ribbons to the end of this fantastic machine, there hung, by way of car, an enormous drab beaver hat, with a brim superlatively broad, and a hemispherical crown with a black band and a silver buckle. It is, however, somewhat remarkable that many citizens of Rotterdam swore to having seen the same hat repeatedly before; and indeed the whole assembly semed to regard it with eyes of familiarity; while the vrow Grettel Pfaall, upon sight of it, uttered an exclamation of joyful surprise, and declared it to be the identical hat of her good man himself. Now this was a circumstance the more to be observed, as Pfaall, with three companions, had actually disappeared from Rotterdam about five years before, in a very sudden and unaccountable manner, and up to the date of this narrative all attempts at obtaining intelligence concerning them had failed. To be sure, some bones which were thought to be human, mixed up with a quantity of odd-looking rubbish, had been lately discovered in a retired situation to the east of the city; and some people went so far as to imagine that in this spot a foul murder had been committed, and that the sufferers were in all probability Hans Pfaall and his associates. But to return.

The balloon (for such no doubt it was) had now descended to within a hundred feet of the earth, allowing the crowd below a sufficiently distinct view of the person of its occupant. This was in truth a very singular somebody. He could not have been more than two feet in height; but this altitude, little as it was, would have been sufficient to destroy his equilibrium, and tilt him over the edge of his tiny car, but for the intervention of a circular rim reaching as high as the breast, and rigged on to the cords of the balloon. The body of the little man was more than proportionally broad, giving to his entire figure a rotundity highly absurd. His feet, of course, could not be seen at all. His hands were enormously large. His hair was gray, and collected into a queue behind. His nose was prodigiously long, crooked, and inflammatory; his eyes full, brilliant, and acute; his chin and cheeks, although wrinkled with age, were broad, puffy, and double; but of ears of any kind there was not a semblance to be discovered upon any portion of his head. This odd little gentleman was dressed in a loose surtout of sky-blue satin, with tight breeches to match, fastened with silver buckles at the knees. His vest was of some bright yellow material a white taffety cap was set jauntily on one side of his head; and, to complete his equipment, a blood-red silk handkerchief enveloped his throat, and fell down, in a dainty manner, upon his bosom, in a fantastic bow-knot of super-eminent dimensions.

Having descended, as I said before, to about one hundred feet from the surface of the earth, the little old gentleman was suddenly seized with a fit of trepidation, and appeared disinclined to make any nearer approach to terra firma. Throwing out, therefore, a quantity of sand from a canvas bag, which he lifted with great difficulty, he became stationary in an instant. He then proceeded, in a hurried and agitated manner, to extract from a side-pocket in his surtout a large morocco pocket-book. This he poised suspiciously in his hand, then eyed it with an air of extreme surprise, and was evidently astonished at its weight. He at length opened it, and drawing therefrom a huge letter sealed with red sealing-wax and tied carefully with red tape, let it fall precisely at the feet of the burgomaster, Superbus Von Underduk. His Excellency stooped to take it up. But the aeronaut, still greatly discomposed, and having apparently no further business to detain him in Rotterdam, began at this moment to make busy preparations for departure; and it being necessary to discharge a portion of ballast to enable him to reascend, the half dozen bags which he threw out, one after another, without taking the trouble to empty their contents, tumbled, every one of them, most unfortunately upon the back of the burgomaster, and rolled him over and over no less than half a dozen times, in the face of every individual in Rotterdam. It is not to be supposed, however, that the great Underduk suffered this impertinence on the part of the little old man to pass off with impunity. It is said, on the contrary, that during each of his half dozen circumvolutions he emitted no less than half a dozen distinct and furious whiffs from his pipe, to which he held fast the whole time with all his might, and to which he intends holding fast (God willing) until the day of his decease.

In the meantime the balloon arose like a lark, and, soaring far away above the city, at length drifted quietly behind a cloud similar to that from which it had so oddly emerged, and was thus lost forever to the wondering eyes of the good citizens of Rotterdam.

Author

Edgar Allan Poe was born in Boston, USA, in 1809. Poe, short story writer, editor and critic, he is best known for his macabre tales and as the progenitor of the detective story. He died in 1849, in mysterious circumstances, at the age of forty.

J. Gerald Kennedy is Boyd Professor of English Emeritus at Louisiana State University and a past president of the Poe Studies Association. His books on Poe include Poe, Death, and the Life of Writing (1987), “The Narrative of Arthur Gordon Pym” and the Abyss of Interpretation (1995), and several edited volumes including A Historical Guide to Edgar Allan Poe (2001), Romancing the Shadow: Poe and Race (2001; with Liliane Weissberg), and Poe and the Remapping of Antebellum Print Culture (2012; with Jerome McGann). His major contribution to American literary studies is Strange Nation: Literary Nationalism and Cultural Conflict in the Age of Poe (2016), written with the support of fellowships by the John Simon Guggenheim Memorial Foundation and the National Endowment for the Humanities. He has also published Imagining Paris: Exile, Writing, and American Identity (1993), and he edited the Penguin Classics edition of The Life of Black Hawk (2008). He has appeared in many Poe documentary films, including The Mystery of Edgar Allan Poe(1994) for the A&E Biography series and Eric Stange’s film for the PBS American Masterpiece series, Edgar A. Poe: Buried Alive (2017). View titles by Edgar Allan Poe