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The Art of Blessing the Day

Poems with a Jewish Theme

Author Marge Piercy
Ebook
Knopf
On sale Aug 07, 2013 | 192 Pages | 9780307760180
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A prize-winning collection of old and new poems that celebrate the Jewish experience, about which the poet Lyn Lifshin writes: "An exquisite book. The whole collection is strong, passionate, and poignant, but the mother and daughter poems, fierce and emotional, with their intense ambivalence, pain and joy, themes of separation and reconnecting, are among the very strongest about that difficult relationship."

Lifshin continues, "These striking, original, beautifully sensuous poems do just that. Ordinary moments--a sunset, a walk, a private religious ritual--are so alive in poems like 'Shabbat moment'  and 'Rosh Hodesh.' In the same way that she celebrates ordinary moments, small things become charged with memories and feelings: paper snowflakes, buttons, one bird, a bottle-cap flower made from a ginger ale top and crystal beads.

"She celebrates the body in rollicking, gusto-filled poems like 'Belly good' and 'The chuppah,' where 'our bodies open their portals wide.' So much that is richly sensuous: 'hands that caressed you,  . . . untied the knot of pleasure and loosened your flesh till it fluttered,' and lush praise for 'life in our spines, our throats,  our knees, our genitals, our brains, our tongues.'

"I love the humor in poems like 'Eat fruit,' the nostalgia and joy in 'The rabbi's granddaughter and the Christmas tree,' the fresh, beautiful images of nature--'In winter . . .the sun hangs its wizened rosehip in the oaks.'

"I admire Piercy's sense of the past alive in the present, in personal and social history. The poems are memorials, like the yahrtzeit candle in a glass. 'We lose and we go on losing,' but the poems are never far from harsh joy, the joy that is 'the wine of life.'

"Growing up haunted by Holocaust ghosts is an echo throughout the book, and some of the strongest poems are about the Holocaust, poems that become the voices of those who had no voice: 'What you  carry in your blood is us,  the books we did not write, music we could not make, a world  gone from gristle to smoke, only  as real now as words can make it.'

"Marge Piercy's words make such a moving variety of experiences beautifully and forcefully real."
"Growing Up Haunted"

When I enter through the hatch of
memory those claustrophobic chambers,
my adolescence in the booming fifties of
General Eisenhower, General Foods and
General Motors, I see our dreams:
obsolescent mannequins in Dior frocks
armored, prefabricated bodies; and I see
our nightmares, powerful as a wine red
sky and wall of fire.

Fear was the underside of every leaf
we turned, the knowledge that our
cousins, our other selves, had been
starved and butchered to ghosts.
The question every smoggy morning
presented like a covered dish:
why are you living and all those
mirror selves, sisters, gone
into smoke like stolen cigarettes?

I remember my grandmother's cry
when she learned the death of all she
remembered, girls she bathed with,
young men with whom she shyly
flirted, wooden shul where
her father rocked and prayed,
red haired aunt plucking the
balalaika, world of sun and snow
turned to shadows on a yellow page.

Assume no future you may not have
to fight for, to die for, muttered
ghosts gathered on the foot
of my bed each night. What you
carry in your blood is us,
the books we did not write,
music we could not make, a world
gone from gristle to smoke, only
as real now as words can make it.
Copyright © 1999 by Marge Piercy. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
© Ira Wood
MARGE PIERCY is the author of nineteen previous poetry collections, a memoir, seventeen novels, five nonfiction books, and a book of short stories. Her work has been translated into twenty-three languages, and she has received many honors, including the Golden Rose, the oldest poetry award in the country. She lives on Cape Cod with her husband, Ira Wood, the novelist, memoirist, community radio interviewer, and essayist, and their four cats. She has given readings, lectures, or workshops at more than five hundred venues in the U.S. and abroad. View titles by Marge Piercy

About

A prize-winning collection of old and new poems that celebrate the Jewish experience, about which the poet Lyn Lifshin writes: "An exquisite book. The whole collection is strong, passionate, and poignant, but the mother and daughter poems, fierce and emotional, with their intense ambivalence, pain and joy, themes of separation and reconnecting, are among the very strongest about that difficult relationship."

Lifshin continues, "These striking, original, beautifully sensuous poems do just that. Ordinary moments--a sunset, a walk, a private religious ritual--are so alive in poems like 'Shabbat moment'  and 'Rosh Hodesh.' In the same way that she celebrates ordinary moments, small things become charged with memories and feelings: paper snowflakes, buttons, one bird, a bottle-cap flower made from a ginger ale top and crystal beads.

"She celebrates the body in rollicking, gusto-filled poems like 'Belly good' and 'The chuppah,' where 'our bodies open their portals wide.' So much that is richly sensuous: 'hands that caressed you,  . . . untied the knot of pleasure and loosened your flesh till it fluttered,' and lush praise for 'life in our spines, our throats,  our knees, our genitals, our brains, our tongues.'

"I love the humor in poems like 'Eat fruit,' the nostalgia and joy in 'The rabbi's granddaughter and the Christmas tree,' the fresh, beautiful images of nature--'In winter . . .the sun hangs its wizened rosehip in the oaks.'

"I admire Piercy's sense of the past alive in the present, in personal and social history. The poems are memorials, like the yahrtzeit candle in a glass. 'We lose and we go on losing,' but the poems are never far from harsh joy, the joy that is 'the wine of life.'

"Growing up haunted by Holocaust ghosts is an echo throughout the book, and some of the strongest poems are about the Holocaust, poems that become the voices of those who had no voice: 'What you  carry in your blood is us,  the books we did not write, music we could not make, a world  gone from gristle to smoke, only  as real now as words can make it.'

"Marge Piercy's words make such a moving variety of experiences beautifully and forcefully real."

Excerpt

"Growing Up Haunted"

When I enter through the hatch of
memory those claustrophobic chambers,
my adolescence in the booming fifties of
General Eisenhower, General Foods and
General Motors, I see our dreams:
obsolescent mannequins in Dior frocks
armored, prefabricated bodies; and I see
our nightmares, powerful as a wine red
sky and wall of fire.

Fear was the underside of every leaf
we turned, the knowledge that our
cousins, our other selves, had been
starved and butchered to ghosts.
The question every smoggy morning
presented like a covered dish:
why are you living and all those
mirror selves, sisters, gone
into smoke like stolen cigarettes?

I remember my grandmother's cry
when she learned the death of all she
remembered, girls she bathed with,
young men with whom she shyly
flirted, wooden shul where
her father rocked and prayed,
red haired aunt plucking the
balalaika, world of sun and snow
turned to shadows on a yellow page.

Assume no future you may not have
to fight for, to die for, muttered
ghosts gathered on the foot
of my bed each night. What you
carry in your blood is us,
the books we did not write,
music we could not make, a world
gone from gristle to smoke, only
as real now as words can make it.
Copyright © 1999 by Marge Piercy. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Author

© Ira Wood
MARGE PIERCY is the author of nineteen previous poetry collections, a memoir, seventeen novels, five nonfiction books, and a book of short stories. Her work has been translated into twenty-three languages, and she has received many honors, including the Golden Rose, the oldest poetry award in the country. She lives on Cape Cod with her husband, Ira Wood, the novelist, memoirist, community radio interviewer, and essayist, and their four cats. She has given readings, lectures, or workshops at more than five hundred venues in the U.S. and abroad. View titles by Marge Piercy

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