Special Orders

Poems

In Special Orders, the renowned poet Edward Hirsch brings us a new series of tightly crafted poems, work that demonstrates a thrilling expansion of his tone and subject matter. It is with a mixture of grief and joy that Hirsch examines what he calls “the minor triumphs, the major failures” of his life so far, in lines that reveal a startling frankness in the man composing them, a fearlessness in confronting his own internal divisions: “I lived between my heart and my head, / like a married couple who can’t get along,” he writes in “Self-portrait.” These poems constitute a profound, sometimes painful self-examination, by the end of which the poet marvels at the sense of expectancy and transformation he feels. His fifteen-year-old son walking on Broadway is a fledgling about to sail out over the treetops; he has a new love, passionately described in “I Wish I Could Paint You”; he is ready to live, he tells us, “solitary, bittersweet, and utterly free.”
More personal than any of his previous collections, Special Orders is Edward Hirsch’s most significant book to date.

The highway signs pointed to our happiness;
the greasy spoons and gleaming truck stops
were the stations of our pilgrimage.

Wasn’t that us staggering past the riverboats,
eating homemade fudge at the county fair
and devouring each other’s body?

They come back to me now, delicious love,
the times my sad heart knew a little sweetness.

from “The Sweetness”
Branch LibraryI wish I could find that skinny, long-beaked boywho perched in the branches of the old branch library.He spent the Sabbath flying between the wobbly stacksand the flimsy wooden tables on the second floor,pecking at nuts, nesting in broken spines, scratchingnotes under his own corner patch of sky.I'd give anything to find that birdy boy againbursting out into the dusky blue afternoonwith his satchel of scrawls and scribbles,radiating heat, singing with joy.A Few Encounters With My Face 1 Who is that moonlit stranger staring at me through the fog of a bathroom mirror 2 Wrinkles form a parenthesis around the eyes dry wells of sadness at three a.m. 3 The forehead furrows in a scowl a question mark puzzled since childhood 4 Faint scrawl of chickenpox and measles broken asthma nights breathing steam 5 Hair thinning like his grandfather’s all those bald ancestral thoughts 6The nose a ram’s horn a scroll as long and bumpy as the centuries 7 Greed of a Latvian horse thief surprised by the lights 8 Primitive double chin divided in two a mother and father divorcing 9 Deep red pouches and black bags a life given to sleeplessness 10 Earnest grooves ironic blotches secret scars memories medallions of middle age 11 It would take a Cubist to paint this dark face splitting in three directions 12 Identify these features with rapture and despair one part hilarity two parts griefCharades We waited on two sides of the subway tracks: you were riding uptown and I was heading downtown to a different apartment, after all these years. We were almost paralyzed, as anxious travelers surged around us in waves, and then you started to pantomime. First, you touched your right eye. Then you palmed your left knee. Finally, you pointed at me. I made of a sign of understanding back to you but the train suddenly roared into the station and you disappeared.
EDWARD HIRSCH, a MacArthur Fellow, has published nine previous books of poetry, including The Living Fire: New and Selected Poems and Gabriel: A Poem, a book-length elegy for his son. He has also published seven books of prose, among them How to Read a Poem and Fall in Love with Poetry, a national best seller, and 100 Poems to Break Your Heart. He has received numerous prizes, including the National Book Critics Circle Award. A longtime teacher, at Wayne State University and in the Creative Writing Program at the University of Houston, Hirsch is now president of the John Simon Guggenheim Memorial Foundation. He lives in Brooklyn. View titles by Edward Hirsch

About

In Special Orders, the renowned poet Edward Hirsch brings us a new series of tightly crafted poems, work that demonstrates a thrilling expansion of his tone and subject matter. It is with a mixture of grief and joy that Hirsch examines what he calls “the minor triumphs, the major failures” of his life so far, in lines that reveal a startling frankness in the man composing them, a fearlessness in confronting his own internal divisions: “I lived between my heart and my head, / like a married couple who can’t get along,” he writes in “Self-portrait.” These poems constitute a profound, sometimes painful self-examination, by the end of which the poet marvels at the sense of expectancy and transformation he feels. His fifteen-year-old son walking on Broadway is a fledgling about to sail out over the treetops; he has a new love, passionately described in “I Wish I Could Paint You”; he is ready to live, he tells us, “solitary, bittersweet, and utterly free.”
More personal than any of his previous collections, Special Orders is Edward Hirsch’s most significant book to date.

The highway signs pointed to our happiness;
the greasy spoons and gleaming truck stops
were the stations of our pilgrimage.

Wasn’t that us staggering past the riverboats,
eating homemade fudge at the county fair
and devouring each other’s body?

They come back to me now, delicious love,
the times my sad heart knew a little sweetness.

from “The Sweetness”

Excerpt

Branch LibraryI wish I could find that skinny, long-beaked boywho perched in the branches of the old branch library.He spent the Sabbath flying between the wobbly stacksand the flimsy wooden tables on the second floor,pecking at nuts, nesting in broken spines, scratchingnotes under his own corner patch of sky.I'd give anything to find that birdy boy againbursting out into the dusky blue afternoonwith his satchel of scrawls and scribbles,radiating heat, singing with joy.A Few Encounters With My Face 1 Who is that moonlit stranger staring at me through the fog of a bathroom mirror 2 Wrinkles form a parenthesis around the eyes dry wells of sadness at three a.m. 3 The forehead furrows in a scowl a question mark puzzled since childhood 4 Faint scrawl of chickenpox and measles broken asthma nights breathing steam 5 Hair thinning like his grandfather’s all those bald ancestral thoughts 6The nose a ram’s horn a scroll as long and bumpy as the centuries 7 Greed of a Latvian horse thief surprised by the lights 8 Primitive double chin divided in two a mother and father divorcing 9 Deep red pouches and black bags a life given to sleeplessness 10 Earnest grooves ironic blotches secret scars memories medallions of middle age 11 It would take a Cubist to paint this dark face splitting in three directions 12 Identify these features with rapture and despair one part hilarity two parts griefCharades We waited on two sides of the subway tracks: you were riding uptown and I was heading downtown to a different apartment, after all these years. We were almost paralyzed, as anxious travelers surged around us in waves, and then you started to pantomime. First, you touched your right eye. Then you palmed your left knee. Finally, you pointed at me. I made of a sign of understanding back to you but the train suddenly roared into the station and you disappeared.

Author

EDWARD HIRSCH, a MacArthur Fellow, has published nine previous books of poetry, including The Living Fire: New and Selected Poems and Gabriel: A Poem, a book-length elegy for his son. He has also published seven books of prose, among them How to Read a Poem and Fall in Love with Poetry, a national best seller, and 100 Poems to Break Your Heart. He has received numerous prizes, including the National Book Critics Circle Award. A longtime teacher, at Wayne State University and in the Creative Writing Program at the University of Houston, Hirsch is now president of the John Simon Guggenheim Memorial Foundation. He lives in Brooklyn. View titles by Edward Hirsch

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