Voices from the Radium Age

Introduction by Joshua Glenn
Edited by Joshua Glenn
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A collection of science fiction stories from the early twentieth century by authors ranging from Arthur Conan Doyle to W. E. B. Du Bois.

This collection of science fiction stories from the early twentieth century features work by the famous (Arthur Conan Doyle, creator of Sherlock Holmes), the no-longer famous (“weird fiction" pioneer William Hope Hodgson), and the should-be-more famous (Bengali feminist Rokeya Sakhawat Hossain). It offers stories by writers known for concerns other than science fiction (W. E. B. Du Bois, author of The Souls of Black Folk) and by writers known only for pulp science fiction (the prolific Neil R. Jones). These stories represent what volume and series editor Joshua Glenn has dubbed “the Radium Age”—the period when science fiction as we know it emerged as a genre. The collection shows that nascent science fiction from this era was prescient, provocative, and well written.
 
Readers will discover, among other delights, a feminist utopia predating Charlotte Perkins Gilman’s Herland by a decade in Hossain’s story, “Sultana’s Dream”; a world in which the human population has retreated underground, in E. M. Forster’s “The Machine Stops”; an early entry in the Afrofuturist subgenre in Du Bois’s last-man-on-Earth tale, “The Comet”; and the first appearance of Jones’s cryopreserved Professor Jameson, who despairs at Earth’s wreckage but perseveres—in a metal body—to appear in thirty-odd more stories.
 
Series Foreword vii
Introduction xiii
Joshua Glenn
Sultana's Dream (1905) 1
Rokeya Sakhawat Hossain
The Voice in the Night (1907) 17
William Hope Hodgson
The Machine Stops (1909) 35
E. M. Forster
The Horror of the Heights (1913) 81 
Arthur Conan Doyle 
The Red One (1918) 105
Jack London
The Comet (1920) 141
W. E. B. Du Bois 
The Jameson Satellite (1931) 161
Neil R. Jones

About

A collection of science fiction stories from the early twentieth century by authors ranging from Arthur Conan Doyle to W. E. B. Du Bois.

This collection of science fiction stories from the early twentieth century features work by the famous (Arthur Conan Doyle, creator of Sherlock Holmes), the no-longer famous (“weird fiction" pioneer William Hope Hodgson), and the should-be-more famous (Bengali feminist Rokeya Sakhawat Hossain). It offers stories by writers known for concerns other than science fiction (W. E. B. Du Bois, author of The Souls of Black Folk) and by writers known only for pulp science fiction (the prolific Neil R. Jones). These stories represent what volume and series editor Joshua Glenn has dubbed “the Radium Age”—the period when science fiction as we know it emerged as a genre. The collection shows that nascent science fiction from this era was prescient, provocative, and well written.
 
Readers will discover, among other delights, a feminist utopia predating Charlotte Perkins Gilman’s Herland by a decade in Hossain’s story, “Sultana’s Dream”; a world in which the human population has retreated underground, in E. M. Forster’s “The Machine Stops”; an early entry in the Afrofuturist subgenre in Du Bois’s last-man-on-Earth tale, “The Comet”; and the first appearance of Jones’s cryopreserved Professor Jameson, who despairs at Earth’s wreckage but perseveres—in a metal body—to appear in thirty-odd more stories.
 

Table of Contents

Series Foreword vii
Introduction xiii
Joshua Glenn
Sultana's Dream (1905) 1
Rokeya Sakhawat Hossain
The Voice in the Night (1907) 17
William Hope Hodgson
The Machine Stops (1909) 35
E. M. Forster
The Horror of the Heights (1913) 81 
Arthur Conan Doyle 
The Red One (1918) 105
Jack London
The Comet (1920) 141
W. E. B. Du Bois 
The Jameson Satellite (1931) 161
Neil R. Jones

The MIT Press Radium Age Series: A Science Fiction Primer for Students

In these forgotten classics in MIT Press’ Radium Age series, students will discover the origins of enduring tropes like tyrannical supermen, dystopian wastelands, sinister telepaths, and eco-catastrophes. According to the Los Angeles Review of Books, the series “challenges readers to reconsider the science fiction of the early 20th century… By returning to an international tradition of

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