Books for Arab American Heritage Month
In honor of Arab American Heritage Month in April, we are sharing books by Arab and Arab American authors that share their culture, history, and personal lives.
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Some features of Japanese are peculiarities of the language, while others are shared by English and various other languages of the world. At times two features, one in Japanese and one, for example, in English, that may look totally unrelated on casual inspection turn out to be a manifestation of the same principle, either syntactic or semantic, which governs the two languages. Whenever possible each feature of Japanese that the book discusses is contrasted with the features in English that are overtly or covertly related to it, and the similarities and differences that exist between the two languages with respect to this feature are examined. Thus the book can also be called a contrastive grammar of Japanese and English.
The book reveals a wide variety of semantic and syntactic factors (some of them not very well known to linguists working on English) that control the usage of certain grammatical patterns. It also shows what kinds of sentences the linguist working on a nonnative language should check with native speakers of the language to prove or disprove his initial hypothesis. So in a third sense, Professor Kuno's study might be called a textbook of field methods in linguistic analysis.
Because The Structure of the Japanese Language is both descriptive and analytical (the generalizations given in the book have been developed within the framework of the theory of transformational grammar but are presented without recourse to the complex formalisms of the theory), it will prove useful both as a basic handbook of supplementary reading for second-year or more advanced courses in Japanese and as a source of material for students and researchers doing work in Japanese or non-Indo-European linguistics.
This is volume three in the series, Current Studies in Linguistics.
Some features of Japanese are peculiarities of the language, while others are shared by English and various other languages of the world. At times two features, one in Japanese and one, for example, in English, that may look totally unrelated on casual inspection turn out to be a manifestation of the same principle, either syntactic or semantic, which governs the two languages. Whenever possible each feature of Japanese that the book discusses is contrasted with the features in English that are overtly or covertly related to it, and the similarities and differences that exist between the two languages with respect to this feature are examined. Thus the book can also be called a contrastive grammar of Japanese and English.
The book reveals a wide variety of semantic and syntactic factors (some of them not very well known to linguists working on English) that control the usage of certain grammatical patterns. It also shows what kinds of sentences the linguist working on a nonnative language should check with native speakers of the language to prove or disprove his initial hypothesis. So in a third sense, Professor Kuno's study might be called a textbook of field methods in linguistic analysis.
Because The Structure of the Japanese Language is both descriptive and analytical (the generalizations given in the book have been developed within the framework of the theory of transformational grammar but are presented without recourse to the complex formalisms of the theory), it will prove useful both as a basic handbook of supplementary reading for second-year or more advanced courses in Japanese and as a source of material for students and researchers doing work in Japanese or non-Indo-European linguistics.
This is volume three in the series, Current Studies in Linguistics.
In honor of Arab American Heritage Month in April, we are sharing books by Arab and Arab American authors that share their culture, history, and personal lives.
For National Poetry Month in April, we are sharing poetry collections and books about poetry by authors who have their own stories to tell. These poets delve into history, reimagine the present, examine poetry itself—from traditional poems many know and love to poems and voices that are new and original.
