There's more to Banksy than the painting on the wall: the first in-depth investigation into the mysteries of the world's most famous living artist.

Banksy is the world's most famous living artist, yet no one knows who he is. For more than twenty years, his wryly political and darkly humorous spray paintings have appeared mysteriously on urban walls around the globe, generating headlines and controversy. Art critics disdain him, but the public (and the art market) love him. With this generously illustrated book, artist and critic Carol Diehl is the first author to probe the depths of the Banksy mystery. Through her exploration of his paintings, installations, writings, and Academy Award-nominated film, Exit through the Gift Shop, Diehl proves unequivocally that there's more to Banksy than the painting on the wall.

Seeing Banksy as the ultimate provocateur, Diehl investigates the dramas that unfold after his works are discovered, with all of their social, economic, and political implications. She reveals how this trickster rattles the system, whether during his month-long 2013 self-styled New York "residency" or his notorious Dismaland of 2015, a full-scale dystopian "family theme park unsuitable for children" dedicated to the failure of capitalism. Banksy's work, Diehl shows, is a synthesis of conceptual art, social commentary, and political protest, played out not in museums but where it can have the most effect--on the street, in the real world. The questions Banksy raises about the uses of public and private property, the role of the global corporatocracy, the never-ending wars, and the gap between artworks as luxury goods and as vehicles of social expression, have never been more relevant.
Introduction 1
1 Banksy: Completed 15
2 Banksy in Folkestone 39
3 The Case for Graffiti 57
4 Banksy and "Real Art," Part I 65
5 Banksy and "Real Art," Part II 77
6 Banksy and the Art Market 101
7 Dismaland 117
8 Banksy in Bethlehem 155
Conclusion 185
Acknowledgments 195
References 197
Carol Diehl is an artist, poet, and art critic. Formerly a longtime contributing editor to Art in America with cover stories on Robert Irwin, Olafur Eliasson, Christian Marclay and Wolfgang Laib, she has written for ARTnews, Art + Auction, Art & Antiques, and Metropolis, among others, and was an early slam performance poet at the Nuyorican Poets Cafe. Diehl has won awards from the New York Foundation of the Arts, the Pollock-Krasner Foundation, the Andy Warhol Foundation for the Visual Arts, PEN America, and the Author’s League Fund. Her paintings have been exhibited at galleries and museums in both the US and abroad, and she has taught both painting and writing at Bennington College and the School of Visual Arts Graduate Fine Arts Program. This is her first book.

About

There's more to Banksy than the painting on the wall: the first in-depth investigation into the mysteries of the world's most famous living artist.

Banksy is the world's most famous living artist, yet no one knows who he is. For more than twenty years, his wryly political and darkly humorous spray paintings have appeared mysteriously on urban walls around the globe, generating headlines and controversy. Art critics disdain him, but the public (and the art market) love him. With this generously illustrated book, artist and critic Carol Diehl is the first author to probe the depths of the Banksy mystery. Through her exploration of his paintings, installations, writings, and Academy Award-nominated film, Exit through the Gift Shop, Diehl proves unequivocally that there's more to Banksy than the painting on the wall.

Seeing Banksy as the ultimate provocateur, Diehl investigates the dramas that unfold after his works are discovered, with all of their social, economic, and political implications. She reveals how this trickster rattles the system, whether during his month-long 2013 self-styled New York "residency" or his notorious Dismaland of 2015, a full-scale dystopian "family theme park unsuitable for children" dedicated to the failure of capitalism. Banksy's work, Diehl shows, is a synthesis of conceptual art, social commentary, and political protest, played out not in museums but where it can have the most effect--on the street, in the real world. The questions Banksy raises about the uses of public and private property, the role of the global corporatocracy, the never-ending wars, and the gap between artworks as luxury goods and as vehicles of social expression, have never been more relevant.

Table of Contents

Introduction 1
1 Banksy: Completed 15
2 Banksy in Folkestone 39
3 The Case for Graffiti 57
4 Banksy and "Real Art," Part I 65
5 Banksy and "Real Art," Part II 77
6 Banksy and the Art Market 101
7 Dismaland 117
8 Banksy in Bethlehem 155
Conclusion 185
Acknowledgments 195
References 197

Author

Carol Diehl is an artist, poet, and art critic. Formerly a longtime contributing editor to Art in America with cover stories on Robert Irwin, Olafur Eliasson, Christian Marclay and Wolfgang Laib, she has written for ARTnews, Art + Auction, Art & Antiques, and Metropolis, among others, and was an early slam performance poet at the Nuyorican Poets Cafe. Diehl has won awards from the New York Foundation of the Arts, the Pollock-Krasner Foundation, the Andy Warhol Foundation for the Visual Arts, PEN America, and the Author’s League Fund. Her paintings have been exhibited at galleries and museums in both the US and abroad, and she has taught both painting and writing at Bennington College and the School of Visual Arts Graduate Fine Arts Program. This is her first book.

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