Giving Bodies Back to Data

Image Makers, Bricolage, and Reinvention in Magnetic Resonance Technology

Part of Leonardo

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Hardcover
$45.00 US
On sale Aug 03, 2021 | 312 Pages | 9780262045292

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An examination of the bodily, situated aspects of data-visualization work, looking at visualization practices around the development of MRI technology.

Our bodies are scanned, probed, imaged, sampled, and transformed into data by clinicians and technologists. In this book, Silvia Casini reveals the affective relations and materiality that turn data into image--and in so doing, gives bodies back to data. Opening the black box of MRI technology, Casini examines the bodily, situated aspects of visualization practices around the development of this technology. Reframing existing narratives of biomedical innovation, she emphasizes the important but often overlooked roles played by aesthetics, affectivity, and craft practice in medical visualization.

Combining history, theory, laboratory ethnography, archival research, and collaborative art-science, Casini retrieves the multiple presences and agencies of bodies in data visualization, mapping the traces of scientists' body work and embodied imagination. She presents an in-depth ethnographic study of MRI development at the University of Aberdeen's biomedical physics laboratory, from the construction of the first whole-body scanner for clinical purposes through the evolution of the FFC-MRI. Going beyond her original focus on MRI, she analyzes a selection of neuroscience- or biomedicine-inspired interventions by artists in media ranging from sculpture to virtual reality. Finally, she presents a methodology for designing and carrying out small-scale art-science projects, describing a collaboration that she herself arranged, highlighting the relational and aesthetic-laden character of data that are the product of craftsmanship and affective labor at the laboratory bench.
Chapter 1 Center-Periphery in Data Visualization: Concepts and Methods
Part I Opening the Black Box
Chapter 2 Histories and Practices in MRI Early Development
Chapter 3 Inside the Laboratory: from Signal to Coils, from Images to Bodies
Chapter 4 Visualizing Uncertainty in MRI Reinvention
Intermezzo Lives in the Grid
Part II Art-Science Collaboration
Chapter 5 Challenging the Neurorealism Fallacy through the Arts
Chapter 6 Archives and Laboratory Ethnography: Giving Bodies Back to Data
Chapter 7 Bodily Sociotechnical Imaginaries in the Age of Operational Images
Color Plates
Bibliography
Index
Silvia Casini is Lecturer in Film and Visual Culture at the University of Aberdeen. Her work has appeared in such journals as Configurations, Leonardo, and Contemporary Aesthetics.

About

An examination of the bodily, situated aspects of data-visualization work, looking at visualization practices around the development of MRI technology.

Our bodies are scanned, probed, imaged, sampled, and transformed into data by clinicians and technologists. In this book, Silvia Casini reveals the affective relations and materiality that turn data into image--and in so doing, gives bodies back to data. Opening the black box of MRI technology, Casini examines the bodily, situated aspects of visualization practices around the development of this technology. Reframing existing narratives of biomedical innovation, she emphasizes the important but often overlooked roles played by aesthetics, affectivity, and craft practice in medical visualization.

Combining history, theory, laboratory ethnography, archival research, and collaborative art-science, Casini retrieves the multiple presences and agencies of bodies in data visualization, mapping the traces of scientists' body work and embodied imagination. She presents an in-depth ethnographic study of MRI development at the University of Aberdeen's biomedical physics laboratory, from the construction of the first whole-body scanner for clinical purposes through the evolution of the FFC-MRI. Going beyond her original focus on MRI, she analyzes a selection of neuroscience- or biomedicine-inspired interventions by artists in media ranging from sculpture to virtual reality. Finally, she presents a methodology for designing and carrying out small-scale art-science projects, describing a collaboration that she herself arranged, highlighting the relational and aesthetic-laden character of data that are the product of craftsmanship and affective labor at the laboratory bench.

Table of Contents

Chapter 1 Center-Periphery in Data Visualization: Concepts and Methods
Part I Opening the Black Box
Chapter 2 Histories and Practices in MRI Early Development
Chapter 3 Inside the Laboratory: from Signal to Coils, from Images to Bodies
Chapter 4 Visualizing Uncertainty in MRI Reinvention
Intermezzo Lives in the Grid
Part II Art-Science Collaboration
Chapter 5 Challenging the Neurorealism Fallacy through the Arts
Chapter 6 Archives and Laboratory Ethnography: Giving Bodies Back to Data
Chapter 7 Bodily Sociotechnical Imaginaries in the Age of Operational Images
Color Plates
Bibliography
Index

Author

Silvia Casini is Lecturer in Film and Visual Culture at the University of Aberdeen. Her work has appeared in such journals as Configurations, Leonardo, and Contemporary Aesthetics.

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