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From a master of contemporary fiction, a tale of bohemian youth on the make in Mexico City

Two young poets, Jan and Remo, find themselves adrift in Mexico City. Obsessed with poetry, and, above all, with science fiction, they are eager to forge a life in the literary world--or sacrifice themselves to it. Roberto Bolaño's The Spirit of Science Fiction is a story of youth hungry for revolution, notoriety, and sexual adventure, as they work to construct a reality out of the fragments of their dreams.

But as close as these friends are, the city tugs them in opposite directions. Jan withdraws from the world, shutting himself in their shared rooftop apartment where he feverishly composes fan letters to the stars of science fiction and dreams of cosmonauts and Nazis. Meanwhile, Remo runs headfirst into the future, spending his days and nights with a circle of wild young writers, seeking pleasure in the city's labyrinthine streets, rundown cafés, and murky bathhouses.

This kaleidoscopic work of strange and tender beauty is a fitting introduction for readers uninitiated into the thrills of Roberto Bolaño's fiction, and an indispensable addition to an ecstatic and transgressive body of work.
Do you mind if I interview you?” “Go ahead, but keep it brief.” “Do you realize that you’re the youngest writer ever to win this prize?”

“Is that so?”

“I’ve just spoken to one of the organizers. I got the sense that they were moved.”

“I don’t know what to tell you. . . . It’s an honor. . . . I’m very happy.”

“It seems everyone is happy. What are you drinking?”

“Tequila.”

“Vodka here. Vodka is a strange drink, isn’t it? It’s not what most women would choose. Vodka neat.”

“I don’t know what women drink.”

“Oh, no? Anyway, it doesn’t matter. A woman’s drink is always secret. Her true drink, I mean. Her infinite pour. But never mind. It’s such a clear night, isn’t it? From here we can see the farthest towns and the most distant stars.”

“That’s an optical illusion, miss. If you look carefully, you’ll observe that the windows are oddly fogged. Go out on the terrace. I believe we’re in the middle of the woods. Practically all we can see are tree branches.”

“Then those are paper stars, of course. But what about the town lights?”

“Phosphorescent sand.”

“You’re so clever. Please, tell me about your work. Yourself and your work.”

“I feel a little nervous, you know? All these people singing and dancing nonstop, I’m not . . . . . .—”

“Don’t you like the party?” “I think everyone is drunk.”

“They’re the winners and runners‑up of all the previous prizes.”

“Good God.”

“They’re celebrating the end of another contest. It’s . . . natural.”

*** 
 
Ghosts and ghostly days passed through Jan’s mind. I think it was quick, a sigh, and then there was Jan on the floor, sweating and howling in pain. Worth mentioning, too, are the signs he was making, the frozen flurry of gestures, as if to show me that there was something on the ceiling, what? I asked as his index finger rose and fell with exasperating slowness, oh, shit, said Jan, it hurts, rats, mountain‑climbing rats, you dumbfuck, and then he said, ah, ah, ah, and I grabbed him by the arms, or I pulled him up, which is when I realized that he wasn’t just sweating rivers but cold rivers. I know I should have run for a doctor, but I got the sense that he didn’t want to be left alone. Or maybe I was afraid to go out. (This was the night I realized that the night is really big.) Actually, from a certain perspective I think Jan didn’t care whether I stayed or left. But he didn’t want a doctor. So I said, don’t die, you’re like the prince from The Idiot. I’d bring you a mirror if we had a mirror, but since we don’t, trust me and try to calm down, don’t die on me. Then, after he had sweated a Norwegian river, he said that the roof of our room was plagued with mutant rats, can’t you hear them? he whispered, my hand was on his forehead, and I said, yes, it was the first time I’d heard rats shrieking on the roof of an eighth‑floor room. Ah, said Jan. Poor Posadas, he said. His body was so long and thin that I promised myself that from now on I would do a better job of keeping him fed. Then he seemed to fall asleep, his eyes half closed, his face turned to the wall. I lit a cigarette. Through our only window, the first rays of dawn began to appear. The street below was still dark and deserted, but cars went by with some regularity. Suddenly, behind me, I heard Jan’s snores. I looked at him. He was asleep, naked on his bare mattress, a lock of blond hair drying slowly on his forehead. I slumped against the wall and let myself slide down until I was sitting in a corner. Through the window, I saw an airplane go by: red, green, blue, yellow lights, the kernel of a rainbow. I closed my eyes and thought about the past few days, the big sad scenes, what I could see and touch, and then I got undressed and lay down on my mattress and tried to imagine Jan’s nightmares, and suddenly, before I fell asleep, I was as certain as if it were being dictated to me that Jan had felt many things that night, but not fear.
Roberto Bolaño (1953–2003) was born in Santiago, Chile, and later lived in Mexico and Spain. A poet and novelist, he has been acclaimed as “by far the most exciting writer to come from south of the Rio Grande in a long time” (The Los Angeles Times), and as “the real thing and the rarest” (Susan Sontag). Among his many prizes are the Premio Rómulo Gallegos, the Premio Herralde de Novela and the National Book Critics Circle Award. He is widely considered to be the greatest Latin American writer of his generation. His books include The Savage Detectives, 2666, The Spirit of Science Fiction, By Night in Chile, Distant Star, Last Evenings on Earth, and The Romantic Dogs. View titles by Roberto Bolaño

About

From a master of contemporary fiction, a tale of bohemian youth on the make in Mexico City

Two young poets, Jan and Remo, find themselves adrift in Mexico City. Obsessed with poetry, and, above all, with science fiction, they are eager to forge a life in the literary world--or sacrifice themselves to it. Roberto Bolaño's The Spirit of Science Fiction is a story of youth hungry for revolution, notoriety, and sexual adventure, as they work to construct a reality out of the fragments of their dreams.

But as close as these friends are, the city tugs them in opposite directions. Jan withdraws from the world, shutting himself in their shared rooftop apartment where he feverishly composes fan letters to the stars of science fiction and dreams of cosmonauts and Nazis. Meanwhile, Remo runs headfirst into the future, spending his days and nights with a circle of wild young writers, seeking pleasure in the city's labyrinthine streets, rundown cafés, and murky bathhouses.

This kaleidoscopic work of strange and tender beauty is a fitting introduction for readers uninitiated into the thrills of Roberto Bolaño's fiction, and an indispensable addition to an ecstatic and transgressive body of work.

Excerpt

Do you mind if I interview you?” “Go ahead, but keep it brief.” “Do you realize that you’re the youngest writer ever to win this prize?”

“Is that so?”

“I’ve just spoken to one of the organizers. I got the sense that they were moved.”

“I don’t know what to tell you. . . . It’s an honor. . . . I’m very happy.”

“It seems everyone is happy. What are you drinking?”

“Tequila.”

“Vodka here. Vodka is a strange drink, isn’t it? It’s not what most women would choose. Vodka neat.”

“I don’t know what women drink.”

“Oh, no? Anyway, it doesn’t matter. A woman’s drink is always secret. Her true drink, I mean. Her infinite pour. But never mind. It’s such a clear night, isn’t it? From here we can see the farthest towns and the most distant stars.”

“That’s an optical illusion, miss. If you look carefully, you’ll observe that the windows are oddly fogged. Go out on the terrace. I believe we’re in the middle of the woods. Practically all we can see are tree branches.”

“Then those are paper stars, of course. But what about the town lights?”

“Phosphorescent sand.”

“You’re so clever. Please, tell me about your work. Yourself and your work.”

“I feel a little nervous, you know? All these people singing and dancing nonstop, I’m not . . . . . .—”

“Don’t you like the party?” “I think everyone is drunk.”

“They’re the winners and runners‑up of all the previous prizes.”

“Good God.”

“They’re celebrating the end of another contest. It’s . . . natural.”

*** 
 
Ghosts and ghostly days passed through Jan’s mind. I think it was quick, a sigh, and then there was Jan on the floor, sweating and howling in pain. Worth mentioning, too, are the signs he was making, the frozen flurry of gestures, as if to show me that there was something on the ceiling, what? I asked as his index finger rose and fell with exasperating slowness, oh, shit, said Jan, it hurts, rats, mountain‑climbing rats, you dumbfuck, and then he said, ah, ah, ah, and I grabbed him by the arms, or I pulled him up, which is when I realized that he wasn’t just sweating rivers but cold rivers. I know I should have run for a doctor, but I got the sense that he didn’t want to be left alone. Or maybe I was afraid to go out. (This was the night I realized that the night is really big.) Actually, from a certain perspective I think Jan didn’t care whether I stayed or left. But he didn’t want a doctor. So I said, don’t die, you’re like the prince from The Idiot. I’d bring you a mirror if we had a mirror, but since we don’t, trust me and try to calm down, don’t die on me. Then, after he had sweated a Norwegian river, he said that the roof of our room was plagued with mutant rats, can’t you hear them? he whispered, my hand was on his forehead, and I said, yes, it was the first time I’d heard rats shrieking on the roof of an eighth‑floor room. Ah, said Jan. Poor Posadas, he said. His body was so long and thin that I promised myself that from now on I would do a better job of keeping him fed. Then he seemed to fall asleep, his eyes half closed, his face turned to the wall. I lit a cigarette. Through our only window, the first rays of dawn began to appear. The street below was still dark and deserted, but cars went by with some regularity. Suddenly, behind me, I heard Jan’s snores. I looked at him. He was asleep, naked on his bare mattress, a lock of blond hair drying slowly on his forehead. I slumped against the wall and let myself slide down until I was sitting in a corner. Through the window, I saw an airplane go by: red, green, blue, yellow lights, the kernel of a rainbow. I closed my eyes and thought about the past few days, the big sad scenes, what I could see and touch, and then I got undressed and lay down on my mattress and tried to imagine Jan’s nightmares, and suddenly, before I fell asleep, I was as certain as if it were being dictated to me that Jan had felt many things that night, but not fear.

Author

Roberto Bolaño (1953–2003) was born in Santiago, Chile, and later lived in Mexico and Spain. A poet and novelist, he has been acclaimed as “by far the most exciting writer to come from south of the Rio Grande in a long time” (The Los Angeles Times), and as “the real thing and the rarest” (Susan Sontag). Among his many prizes are the Premio Rómulo Gallegos, the Premio Herralde de Novela and the National Book Critics Circle Award. He is widely considered to be the greatest Latin American writer of his generation. His books include The Savage Detectives, 2666, The Spirit of Science Fiction, By Night in Chile, Distant Star, Last Evenings on Earth, and The Romantic Dogs. View titles by Roberto Bolaño