Wolf Among Wolves

Translated by Philip Owens
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$18.95 US
On sale May 25, 2010 | 816 Pages | 978-1-933633-92-3
This sweeping saga of love in dangerous times — the 1923 collapse of the German economy, when food and money shortages led to rioting in the streets and unemployed soldiers marauding through the countryside — is deemed by many to be Hans Fallada’s greatest work. Yet its 1938 publication made his publisher so fearful of Nazi retribution that he told Fallada, “If this book destroys us, then at least we’ll be destroyed for something that’s worth it.”
It appears here in its first unabridged translation into English, based on a contemporaneous translation by Philip Owens that has been revised and restored in full by Thorsten Carstensen and Nicholas Jacobs. Carstensen also provides an afterword discussing why the original version of the book was so heavily edited … and why Fallada’s publisher thought a love story might get them killed.

“His most ambitious novel… deeply moving…he has evoked more than one can bear in comfort, but not more than it is necessary to learn, to keep and to understand.”—Alfred Kazin, The New York Times

“What other living German novelist shares with Fallada the power to grip the reader on the first page and hold him unremittingly through 1100 more?”–Bayard Q. Morgan, World Literature Today (1938)

“Fallda can be seen as a hero, a writer-hero who survived just long enough to strike back at his oppressors.” –Alan Furst
© Hans Fallada
Before WWII , German writer Hans Fallada’s novels were international bestsellers, on a par with those of his countrymen Thomas Mann and Herman Hesse. In America, Hollywood even turned his first big novel, Little Man, What Now?, into a major motion picture.
 
Learning the movie was made by a Jewish producer, however, Hitler decreed Fallada’s work could no longer be sold outside Germany, and the rising Nazis began to pay him closer attention. When he refused to join the Nazi party he was arrested by the Gestapo—who eventually released him, but thereafter regularly summoned him for “discussions” of his work.
 
However, unlike Mann, Hesse, and others, Fallada refused to flee to safety, even when his British publisher, George Putnam, sent a private boat to rescue him. The pressure took its toll on Fallada, and he resorted increasingly to drugs and alcohol for relief. After Goebbels ordered him to write an anti-Semitic novel, he snapped and found himself imprisoned in an asylum for the “criminally insane”—considered a death sentence under Nazi rule. To forestall the inevitable, he pretended to write the assignment for Goebbels, while actually composing three encrypted books—including his tour-de-force novel The Drinker—in such dense code that they were not deciphered until long after his death.
 
Fallada outlasted the Reich and was freed at war’s end. But he was a shattered man. To help him recover by putting him to work, Fallada’s publisher gave him the Gestapo file of a simple, working-class couple who had resisted the Nazis. Inspired, Fallada completed Every Man Dies Alone in just twenty-four days.
 
He died on February 5, 1947, just weeks before the book’s publication. View titles by Hans Fallada

About

This sweeping saga of love in dangerous times — the 1923 collapse of the German economy, when food and money shortages led to rioting in the streets and unemployed soldiers marauding through the countryside — is deemed by many to be Hans Fallada’s greatest work. Yet its 1938 publication made his publisher so fearful of Nazi retribution that he told Fallada, “If this book destroys us, then at least we’ll be destroyed for something that’s worth it.”
It appears here in its first unabridged translation into English, based on a contemporaneous translation by Philip Owens that has been revised and restored in full by Thorsten Carstensen and Nicholas Jacobs. Carstensen also provides an afterword discussing why the original version of the book was so heavily edited … and why Fallada’s publisher thought a love story might get them killed.

“His most ambitious novel… deeply moving…he has evoked more than one can bear in comfort, but not more than it is necessary to learn, to keep and to understand.”—Alfred Kazin, The New York Times

“What other living German novelist shares with Fallada the power to grip the reader on the first page and hold him unremittingly through 1100 more?”–Bayard Q. Morgan, World Literature Today (1938)

“Fallda can be seen as a hero, a writer-hero who survived just long enough to strike back at his oppressors.” –Alan Furst

Author

© Hans Fallada
Before WWII , German writer Hans Fallada’s novels were international bestsellers, on a par with those of his countrymen Thomas Mann and Herman Hesse. In America, Hollywood even turned his first big novel, Little Man, What Now?, into a major motion picture.
 
Learning the movie was made by a Jewish producer, however, Hitler decreed Fallada’s work could no longer be sold outside Germany, and the rising Nazis began to pay him closer attention. When he refused to join the Nazi party he was arrested by the Gestapo—who eventually released him, but thereafter regularly summoned him for “discussions” of his work.
 
However, unlike Mann, Hesse, and others, Fallada refused to flee to safety, even when his British publisher, George Putnam, sent a private boat to rescue him. The pressure took its toll on Fallada, and he resorted increasingly to drugs and alcohol for relief. After Goebbels ordered him to write an anti-Semitic novel, he snapped and found himself imprisoned in an asylum for the “criminally insane”—considered a death sentence under Nazi rule. To forestall the inevitable, he pretended to write the assignment for Goebbels, while actually composing three encrypted books—including his tour-de-force novel The Drinker—in such dense code that they were not deciphered until long after his death.
 
Fallada outlasted the Reich and was freed at war’s end. But he was a shattered man. To help him recover by putting him to work, Fallada’s publisher gave him the Gestapo file of a simple, working-class couple who had resisted the Nazis. Inspired, Fallada completed Every Man Dies Alone in just twenty-four days.
 
He died on February 5, 1947, just weeks before the book’s publication. View titles by Hans Fallada