Three Lives

Three short stories comprise Gertrude Stein’s first significant work, each a psychological portrait of a different woman. “The Good Anna” is a kindly but domineering German servant. “The Gentle Lena” apathetically endures her miserable life until she dies in childbirth. “Melanctha” is a young Black woman learning about sexuality and love. Different as they may be, all three women are bound by poverty—and all three face the restrictions of class, race, and sex with resignation.

Tender Buttons

Stein spoke of maintaining a “continuous present,” comprised of “moments of consciousness,” independent of time and memory. Nowhere is this more clear than in her prose poems Tender Buttons. Their repetitive sentences, juxtaposition of sounds, and simple language connote this continuous presence. To live in this state is “to begin again and again,” to “use everything.” Each of the three sections, “Objects,” “Food,” and “Rooms,” employs both this repetition and disjointed words to build images. Prose poetry at its most abstract expression, Tender Buttons “is to writing…what cubism is to art.” (W.G. Rogers)

Gertrude Stein was born in Allegheny, Pennsylvania, on February 3, 1874. At Radcliffe College she studied under William James, who remained her lifelong friend, and then went to Johns Hopkins to study medicine. Abandoning her studies, she moved to Paris with her brother Leo in 1903. At 27 rue de Fleurus, Gertrude Stein lived with Alice B. Toklas, who would remain her companion for 40 years. Not only was she an innovator in literature and a supporter of modern poetry and art, she was the friend and mentor of those who visited her at her now-famous home: Pablo Picasso, Henri Matisse, Jean Cocteau, Ernest Hemingway, F. Scott Fitzgerald, Sherwood Anderson, and Guillaume Apollinaire. Her body of work include Three LivesTender ButtonsThe Making of Americans, and The Autobiography of Alice B. Toklas. View titles by Gertrude Stein

About

Three Lives

Three short stories comprise Gertrude Stein’s first significant work, each a psychological portrait of a different woman. “The Good Anna” is a kindly but domineering German servant. “The Gentle Lena” apathetically endures her miserable life until she dies in childbirth. “Melanctha” is a young Black woman learning about sexuality and love. Different as they may be, all three women are bound by poverty—and all three face the restrictions of class, race, and sex with resignation.

Tender Buttons

Stein spoke of maintaining a “continuous present,” comprised of “moments of consciousness,” independent of time and memory. Nowhere is this more clear than in her prose poems Tender Buttons. Their repetitive sentences, juxtaposition of sounds, and simple language connote this continuous presence. To live in this state is “to begin again and again,” to “use everything.” Each of the three sections, “Objects,” “Food,” and “Rooms,” employs both this repetition and disjointed words to build images. Prose poetry at its most abstract expression, Tender Buttons “is to writing…what cubism is to art.” (W.G. Rogers)

Author

Gertrude Stein was born in Allegheny, Pennsylvania, on February 3, 1874. At Radcliffe College she studied under William James, who remained her lifelong friend, and then went to Johns Hopkins to study medicine. Abandoning her studies, she moved to Paris with her brother Leo in 1903. At 27 rue de Fleurus, Gertrude Stein lived with Alice B. Toklas, who would remain her companion for 40 years. Not only was she an innovator in literature and a supporter of modern poetry and art, she was the friend and mentor of those who visited her at her now-famous home: Pablo Picasso, Henri Matisse, Jean Cocteau, Ernest Hemingway, F. Scott Fitzgerald, Sherwood Anderson, and Guillaume Apollinaire. Her body of work include Three LivesTender ButtonsThe Making of Americans, and The Autobiography of Alice B. Toklas. View titles by Gertrude Stein