Grushin's stunning debut drew praise that placed her in the top rank of young literary voices. Now she returns with that rarity: a second novel even more dazzling than her first.
The line: the universal symbol of scarcity and bureaucracy that exists wherever petty officials are let loose to abuse their powers.
The line begins to form on the whispered rumor that a famous exiled composer is returning to Moscow to conduct his last symphony. Tickets will be limited. Nameless faces join the line, jostling for preferred position. But as time passes and the seasons change and the ticket kiosk remains shuttered, these anonymous souls take on individual shape. Unlikely friendships are forged, long-buried memories spring to life, and a year-long wait is rewarded with unexpected acts of kindness that ease the bleakness of harshly lived lives. A disparate gaggle of strangers evolves into a community of friends united in their desire to experience music they have never been allowed to hear.
The Line is a transformative novel that speaks to the endurance of the human spirit even as it explores the ways in which we love-and what we do for love.
Olga Grushin was born in Moscow and moved to the United States at eighteen. She is the author of three previous novels, Forty Rooms, The Line and The Dream Life of Sukhanov. Her debut, The Dream Life of Sukhanov, won the New York Public Library Young Lions Fiction Award, earned her a place on Granta’s once-a-decade Best Young American Novelists list, and was one of The New York Times’ Notable Books of the Year. Both itand The Line were among The Washington Post’s Ten Best Books of the Year, and Forty Rooms was named a Kirkus Reviews Best Fiction of the Year. Grushin writes in English, and her work has been translated into sixteen languages. She lives outside Washington, DC, with her two children.
Grushin's stunning debut drew praise that placed her in the top rank of young literary voices. Now she returns with that rarity: a second novel even more dazzling than her first.
The line: the universal symbol of scarcity and bureaucracy that exists wherever petty officials are let loose to abuse their powers.
The line begins to form on the whispered rumor that a famous exiled composer is returning to Moscow to conduct his last symphony. Tickets will be limited. Nameless faces join the line, jostling for preferred position. But as time passes and the seasons change and the ticket kiosk remains shuttered, these anonymous souls take on individual shape. Unlikely friendships are forged, long-buried memories spring to life, and a year-long wait is rewarded with unexpected acts of kindness that ease the bleakness of harshly lived lives. A disparate gaggle of strangers evolves into a community of friends united in their desire to experience music they have never been allowed to hear.
The Line is a transformative novel that speaks to the endurance of the human spirit even as it explores the ways in which we love-and what we do for love.
Olga Grushin was born in Moscow and moved to the United States at eighteen. She is the author of three previous novels, Forty Rooms, The Line and The Dream Life of Sukhanov. Her debut, The Dream Life of Sukhanov, won the New York Public Library Young Lions Fiction Award, earned her a place on Granta’s once-a-decade Best Young American Novelists list, and was one of The New York Times’ Notable Books of the Year. Both itand The Line were among The Washington Post’s Ten Best Books of the Year, and Forty Rooms was named a Kirkus Reviews Best Fiction of the Year. Grushin writes in English, and her work has been translated into sixteen languages. She lives outside Washington, DC, with her two children.
