Using the strange and unprecedented lawsuit of Jeffrey MacDonald, a convicted murderer, against Joe McGinniss, the author of a book about crime, Malcolm explores the always uneasy, sometimes tragic relationship that exists between journalist and subject. Malcolm's view is that neither journalist nor subject can avoid the moral impasses that is build into the journalistic situation.
Janet Malcolm was an author and a journalist at The New Yorker. Her books include Reading Chekhov: A Critical Journey, The Crime of Sheila McGough, and The Silent Woman: Sylvia Plath and Ted Hughes. Born in Prague, she grew up in New York. Janet Malcolm died in 2021. View titles by Janet Malcolm
"It is not with regard to journalism but with regard to the making of works of art that Malcom's important book gathers its inspiration, its breathtaking rhetorical velocity, and its great truth." —David Rieff, Los Angeles Times

About

Using the strange and unprecedented lawsuit of Jeffrey MacDonald, a convicted murderer, against Joe McGinniss, the author of a book about crime, Malcolm explores the always uneasy, sometimes tragic relationship that exists between journalist and subject. Malcolm's view is that neither journalist nor subject can avoid the moral impasses that is build into the journalistic situation.

Author

Janet Malcolm was an author and a journalist at The New Yorker. Her books include Reading Chekhov: A Critical Journey, The Crime of Sheila McGough, and The Silent Woman: Sylvia Plath and Ted Hughes. Born in Prague, she grew up in New York. Janet Malcolm died in 2021. View titles by Janet Malcolm

Praise

"It is not with regard to journalism but with regard to the making of works of art that Malcom's important book gathers its inspiration, its breathtaking rhetorical velocity, and its great truth." —David Rieff, Los Angeles Times