The story of the mysterious indictment, trial, and reckoning forced upon Joseph K. in Franz Kafka’s The Trial is one of the twentieth century’s master parables, reflecting the central spiritual crises of modern life. Kafka’s method–one that has influenced, in some way, almost every writer of substance who followed him–was to render the absurd and the terrifying convincing by a scrupulous, hyperreal matter-of-factness of tone and treatment. He thereby imparted to his work a level of seriousness normally associated with civilization’s most cherished poems and religious texts.
Translated by Willa and Edwin Muir
FRANZ KAFKA was born in 1883 in Prague, where he lived most of his life. During his lifetime, he published only a few short stories, including “The Metamorphosis,” “The Judgment,” and “The Stoker.” He died in 1924, before completing any of his full-length novels. At the end of his life, Kafka asked his lifelong friend and literary executor Max Brod to burn all his unpublished work. Brod overrode those wishes.
The story of the mysterious indictment, trial, and reckoning forced upon Joseph K. in Franz Kafka’s The Trial is one of the twentieth century’s master parables, reflecting the central spiritual crises of modern life. Kafka’s method–one that has influenced, in some way, almost every writer of substance who followed him–was to render the absurd and the terrifying convincing by a scrupulous, hyperreal matter-of-factness of tone and treatment. He thereby imparted to his work a level of seriousness normally associated with civilization’s most cherished poems and religious texts.
Translated by Willa and Edwin Muir
FRANZ KAFKA was born in 1883 in Prague, where he lived most of his life. During his lifetime, he published only a few short stories, including “The Metamorphosis,” “The Judgment,” and “The Stoker.” He died in 1924, before completing any of his full-length novels. At the end of his life, Kafka asked his lifelong friend and literary executor Max Brod to burn all his unpublished work. Brod overrode those wishes.
“Trace: Memory, History, Race, and the American Landscape is an electrifying text for students to work with in the Africana studies, environmental humanities, and/or women’s studies classroom. A lyrical and arresting study of family, natural and cultural history, as well as the complex meanings of race and place for identity, Trace prompted introspective and engaged
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