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Cotton Comes to Harlem

Part of Harlem Detectives

Author Chester Himes
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Paperback
$16.00 US
Knopf | Vintage Crime/Black Lizard
On sale Nov 28, 1988 | 160 Pages | 978-0-394-75999-9
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Black flim-flam man Deke O'Hara is no sooner out of Atlanta's state penitentiary than he's back on the streets working the scam of a lifetime. As sponsor of the Back-to-Africa movement he's counting on the big Harlem rally to produce a big collection—for his own private charity. But the take ($87,000) is hijacked by white gunmen and hidden in a bale of cotton that suddenly everyone wants to get his hands on. With Coffin Ed Johnson and Grave Digger Jones on everyone's trail and piecing together the complexity of the scheme, Cotton Comes to Harlem is one of Himes's hardest-hitting and most entertaining thrillers.

"These books have lasting value-as thrillers, as streetwise documentaries, as chapters of black writing at its ribald and unaffected best. On every level they are simply-or rather not so simply, terrific" —The Sunday Times (London)
© Carl Van Vechten, courtesy of the Van Vechten Trust and the Beinecke Library at Yale University
Chester (Bomar) Himes began his writing career while serving in the Ohio State Penitentiary for armed robbery from 1929 - 1936. His account of the horrific 1930 Penitentiary fire that killed over three hundred men appeared in Esquire in 1932 and from this Himes was able to get other work published. From his first novel, If He Hollers Let Him Go (1945), Himes dealt with the social and psychological repercussions of being black in a white-dominated society. Beginning in 1953, Himes moved to Europe, where he lived as an expatriate in France and Spain. There, he met and was strongly influenced by Richard Wright. It was in France that he began his best-known series of crime novels---including Cotton Comes to Harlem (1965) and Run Man Run (1966)---featuring two Harlem policemen Gravedigger Jones and Coffin Ed Johnson. As with Himes's earlier work, the series is characterized by violence and grisly, sardonic humor. View titles by Chester Himes

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Black flim-flam man Deke O'Hara is no sooner out of Atlanta's state penitentiary than he's back on the streets working the scam of a lifetime. As sponsor of the Back-to-Africa movement he's counting on the big Harlem rally to produce a big collection—for his own private charity. But the take ($87,000) is hijacked by white gunmen and hidden in a bale of cotton that suddenly everyone wants to get his hands on. With Coffin Ed Johnson and Grave Digger Jones on everyone's trail and piecing together the complexity of the scheme, Cotton Comes to Harlem is one of Himes's hardest-hitting and most entertaining thrillers.

"These books have lasting value-as thrillers, as streetwise documentaries, as chapters of black writing at its ribald and unaffected best. On every level they are simply-or rather not so simply, terrific" —The Sunday Times (London)

Author

© Carl Van Vechten, courtesy of the Van Vechten Trust and the Beinecke Library at Yale University
Chester (Bomar) Himes began his writing career while serving in the Ohio State Penitentiary for armed robbery from 1929 - 1936. His account of the horrific 1930 Penitentiary fire that killed over three hundred men appeared in Esquire in 1932 and from this Himes was able to get other work published. From his first novel, If He Hollers Let Him Go (1945), Himes dealt with the social and psychological repercussions of being black in a white-dominated society. Beginning in 1953, Himes moved to Europe, where he lived as an expatriate in France and Spain. There, he met and was strongly influenced by Richard Wright. It was in France that he began his best-known series of crime novels---including Cotton Comes to Harlem (1965) and Run Man Run (1966)---featuring two Harlem policemen Gravedigger Jones and Coffin Ed Johnson. As with Himes's earlier work, the series is characterized by violence and grisly, sardonic humor. View titles by Chester Himes

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