Aiding and Abetting

A Novel

Look inside
Muriel Spark, one of Britain’s greatest living novelists, returns to the literary stage with her most wickedly amusing and subversive novel in years, a savagely witty tale of murder and escape based on the notorious real-life case of Lord Lucan.

A dissolute member of the British aristocracy, “Lucky” Lucan has been missing since he accidentally murdered his children’s nanny in an abortive attempt on his wife's life. His puzzling disappearance in the mid-seventies created a sensation in Britain and a tantalizing mystery as yet unsolved. In Muriel Spark’s daring and sophisticated fictional version of Lucan's flight, his adversary is Beate Pappenheim, a fake Bavarian stigmatic who embezzled millions from devout followers before assuming a new identity as a celebrated psychiatrist. These two inhabitants of the farther shores of morality collide memorably in Spark's brilliant new novel, where “aiding and abetting” Lord Lucan's well-padded fugitive life is the name of the beastly upper-class game, and a duel of wits plays out with potentially mortal consequences. The artful murderer meets the master con-woman, but who will emerge victorious?

In part a rumination on the nature of evil, in part a damning indictment of upper-class mores, Aiding and Abetting is a dark and dazzling entertainment from a writer whose clear-eyed judgments never intrude upon her narrative legerdemain. Here is proof beyond doubt that Muriel Spark retains her crown as the most distinguished and entertaining moral satirist of her day.

British Praise for Aiding and Abetting:

“Spark has enterprisingly liberated this squalid Belgravian tale from the annals of criminal history and transformed it into a serious comedy of manners and errors.”—The Sunday Times

Aiding and Abetting is quintessential Spark...so elegantly pared down, indeed, that it reminds one of a society beauty whose fine bones last on to general admiration.”—The Sunday Telegraph

“Spark’s economical, elliptical prose is alive with understated comedy; one has a sense that her talent for farce is constantly held in check by the seriousness of her ideas . . . [an] exceptionally intelligent book.”—The Guardian

“Muriel Spark is herself something of a true miracle-worker, with her electrifying opus, her riveting narrative tangles of moral ambiguities, satirically sinister incidents and unusually forceful pronouncements, delivered with aplomb.”—The Times Literary Supplement

“Spark treats this true crime story with her characteristic wit, and the result is a darkly comic mystery adventure which will keep you enthralled until the end.”—The List

“That Spark has managed to create such an astonishingly ambitious work in her eighties shows, more than anything else, the enduring power of her artistic gifts. Let us hope that there are many more books to come from this remarkable novelist.”—The Independent
The receptionist looked tinier than ever as she showed the tall, tall Englishman into the studio of Dr. Hildegard Wolf, the psychiatrist who had come from Bavaria, then Prague, Dresden, Avila, Marseilles, then London, and now settled in Paris.

"I have come to consult you," he said, "because I have no peace of mind. Twenty-five years ago I sold my soul to the Devil." The Englishman spoke in a very foreign French.
"Would you feel easier," she said, "if we spoke in English? I am an English speaker of a sort since I was a student."

"Far easier," he said, "although, in a sense, it makes the reality more distressing. What I have to tell you is an English story."
 
Dr. Wolf's therapeutic methods had been perfected by herself. They had made her virtually the most successful psychiatrist in Paris, or at least the most sought-after. At the same time she was tentatively copied; those who tried to do so generally failed. The method alone did not suffice. Her personality was needed as well.
 
What she did for the most part was talk about herself throughout the first three sessions, turning only casually on the problems of her patients; then, gradually, in an offhand way she would induce them to begin to discuss themselves. Some patients, angered, did not return after the first or at least second session, conducted on these lines. Others remonstrated, "Don't you want to hear about my problem?"

"No, quite frankly, I don't very much."

Many, fascinated, returned to her studio and it was they who, so it was widely claimed, reaped their reward. By now her method was famous and even studied in the universities. The Wolf method.

"I sold my soul to the Devil."

"Once in my life," she said, "I had a chance to do that. Only I wasn't offered enough. Let me tell you about it . . ."
 
He had heard that she would do just this. The friend who had recommended her to him, a priest who had been through her hands during a troubled period, told him, "She advised me not to try to pray. She advised me to shut up and listen. Read the Gospel, she said. Jesus is praying to you for sympathy. You have to see his point of view, what he had to put up with. Listen, don't talk. Read the Bible. Take it in. God is talking, not you."

Her new patient sat still and listened, luxuriating in the expenditure of money which he would have found impossible only three weeks ago. For twenty-five years, since he was struck down in England by a disaster, he had been a furtive fugitive, always precariously beholden to his friends, his many friends, but still, playing the role of benefactors, their numbers diminishing. Three weeks ago his nickname Lucky had become a solidified fact. He was lucky. He had in fact discovered some money waiting for him on the death of one of his main aiders and abetters. It had been locked in a safe, waiting for him to turn up. He could afford to have a conscience. He could now consult at leisure one of the most expensive and most highly recommended psychiatrists in Paris. "You have to listen to her, she makes you listen, first of all," they said?"they" being at least four people. He sat blissfully in his smart clothes and listened. He sat before her desk in a leather chair with arms; he lounged. It was strange how so many people of the past had been under the impression he had already collected the money left for him in a special account. Even his benefactor's wife had not known about its existence.

He might, in fact, have been anybody. But she arranged for the money to be handed over without a question. His name was Lucky and lucky he was indeed.

But money did not last. He gambled greatly.

The windows of Dr. Wolf's consulting rooms on the Boulevard St. Germain were double-glazed to allow only a pleasing hum of traffic to penetrate.

"I don't know how it struck you," said Hildegard (Dr. Wolf) to her patient. "But to me, selling one's soul to the Devil involves murder. Anything less is not worthy of the designation. You can sell your soul to a number of agents, let's face it, but to the Devil there has to be a killing or so involved. In my case, it was many years ago, I was treating a patient who became psychologically dependent on me. A young man, not very nice. His problem was a tendency to suicide. One was tempted to encourage him in his desire. He was simply nasty, simply cruel. His fortune was immense. I was offered a sum of money by his cousin, the next of kin, to slide this awful young man down the slope. But I didn't. I sensed the meanness of the cousin, and doubted whether he would really have parted with the money once my patient was dead. I refused. Perhaps, if I had been offered a substantially larger sum, I would have made that pact with the Devil. Who knows? As it was, I said no, I wouldn't urge the awful young man to take his own life. In fact I encouraged him to live. But to do otherwise would have definitely, I think, led to his death and I would have been guilty of murder."
 
"Did he ever take his life, then?"

"No, he is alive today."

The Englishman was looking at Hildegard in a penetrating way as if to read her true thoughts. Perhaps he wondered if she was in fact trying to tell him that she doubted his story. He wanted to get away from her office, now. He had paid for his first session on demand, a very stiff fee, as he reckoned, of fifteen hundred dollars for three quarters of an hour. But she talked on. He sat and listened with a large bulging leather briefcase at his feet.

For the rest of the period she told him she had been living in Paris now for over twelve years, and found it congenial to her way of life and her work. She told him she had a great many friends in the fields of medicine, music, religion and art, and although well into her forties, it was just possible she might still marry. "But I would never give up my profession," she said. "I do so love it."
 
His time was up, and she had not asked him a single question about himself. She took it for granted he would continue with her. She shook hands and told him to fix his next appointment with the receptionist. Which, in fact, he did.

It was towards the end of that month that Hildegard asked him her first question.

"What can I do for you?" she said, as if he was positively intruding on her professional time.

He gave her an arrogant look, sweeping her face. "First," he said, "I have to tell you that I'm wanted by the police on two counts: murder and attempted murder. I have been wanted for over twenty years. I am the missing Lord Lucan."
Muriel Spark's many novels include Memento Mori, The Girls of Slender Means, A Far Cry From Kensington, The Prime Of Miss Jean Brodie (adapted for film and theatre), Aiding And Abetting and her final novel, The Finishing School. She was elected C. Litt in 1992 and awarded the DBE in 1993. Dame Muriel Spark received many awards, including the James Tait Black Memorial Prize, the FNAC Prix Etranger, the Saltire Prize, the Ingersoll T. S. Eliot Award and the David Cohen British Literature Prize in recognition of a lifetime's literary achievement. Dame Muriel Spark died in 2006. View titles by Muriel Spark

About

Muriel Spark, one of Britain’s greatest living novelists, returns to the literary stage with her most wickedly amusing and subversive novel in years, a savagely witty tale of murder and escape based on the notorious real-life case of Lord Lucan.

A dissolute member of the British aristocracy, “Lucky” Lucan has been missing since he accidentally murdered his children’s nanny in an abortive attempt on his wife's life. His puzzling disappearance in the mid-seventies created a sensation in Britain and a tantalizing mystery as yet unsolved. In Muriel Spark’s daring and sophisticated fictional version of Lucan's flight, his adversary is Beate Pappenheim, a fake Bavarian stigmatic who embezzled millions from devout followers before assuming a new identity as a celebrated psychiatrist. These two inhabitants of the farther shores of morality collide memorably in Spark's brilliant new novel, where “aiding and abetting” Lord Lucan's well-padded fugitive life is the name of the beastly upper-class game, and a duel of wits plays out with potentially mortal consequences. The artful murderer meets the master con-woman, but who will emerge victorious?

In part a rumination on the nature of evil, in part a damning indictment of upper-class mores, Aiding and Abetting is a dark and dazzling entertainment from a writer whose clear-eyed judgments never intrude upon her narrative legerdemain. Here is proof beyond doubt that Muriel Spark retains her crown as the most distinguished and entertaining moral satirist of her day.

British Praise for Aiding and Abetting:

“Spark has enterprisingly liberated this squalid Belgravian tale from the annals of criminal history and transformed it into a serious comedy of manners and errors.”—The Sunday Times

Aiding and Abetting is quintessential Spark...so elegantly pared down, indeed, that it reminds one of a society beauty whose fine bones last on to general admiration.”—The Sunday Telegraph

“Spark’s economical, elliptical prose is alive with understated comedy; one has a sense that her talent for farce is constantly held in check by the seriousness of her ideas . . . [an] exceptionally intelligent book.”—The Guardian

“Muriel Spark is herself something of a true miracle-worker, with her electrifying opus, her riveting narrative tangles of moral ambiguities, satirically sinister incidents and unusually forceful pronouncements, delivered with aplomb.”—The Times Literary Supplement

“Spark treats this true crime story with her characteristic wit, and the result is a darkly comic mystery adventure which will keep you enthralled until the end.”—The List

“That Spark has managed to create such an astonishingly ambitious work in her eighties shows, more than anything else, the enduring power of her artistic gifts. Let us hope that there are many more books to come from this remarkable novelist.”—The Independent

Excerpt

The receptionist looked tinier than ever as she showed the tall, tall Englishman into the studio of Dr. Hildegard Wolf, the psychiatrist who had come from Bavaria, then Prague, Dresden, Avila, Marseilles, then London, and now settled in Paris.

"I have come to consult you," he said, "because I have no peace of mind. Twenty-five years ago I sold my soul to the Devil." The Englishman spoke in a very foreign French.
"Would you feel easier," she said, "if we spoke in English? I am an English speaker of a sort since I was a student."

"Far easier," he said, "although, in a sense, it makes the reality more distressing. What I have to tell you is an English story."
 
Dr. Wolf's therapeutic methods had been perfected by herself. They had made her virtually the most successful psychiatrist in Paris, or at least the most sought-after. At the same time she was tentatively copied; those who tried to do so generally failed. The method alone did not suffice. Her personality was needed as well.
 
What she did for the most part was talk about herself throughout the first three sessions, turning only casually on the problems of her patients; then, gradually, in an offhand way she would induce them to begin to discuss themselves. Some patients, angered, did not return after the first or at least second session, conducted on these lines. Others remonstrated, "Don't you want to hear about my problem?"

"No, quite frankly, I don't very much."

Many, fascinated, returned to her studio and it was they who, so it was widely claimed, reaped their reward. By now her method was famous and even studied in the universities. The Wolf method.

"I sold my soul to the Devil."

"Once in my life," she said, "I had a chance to do that. Only I wasn't offered enough. Let me tell you about it . . ."
 
He had heard that she would do just this. The friend who had recommended her to him, a priest who had been through her hands during a troubled period, told him, "She advised me not to try to pray. She advised me to shut up and listen. Read the Gospel, she said. Jesus is praying to you for sympathy. You have to see his point of view, what he had to put up with. Listen, don't talk. Read the Bible. Take it in. God is talking, not you."

Her new patient sat still and listened, luxuriating in the expenditure of money which he would have found impossible only three weeks ago. For twenty-five years, since he was struck down in England by a disaster, he had been a furtive fugitive, always precariously beholden to his friends, his many friends, but still, playing the role of benefactors, their numbers diminishing. Three weeks ago his nickname Lucky had become a solidified fact. He was lucky. He had in fact discovered some money waiting for him on the death of one of his main aiders and abetters. It had been locked in a safe, waiting for him to turn up. He could afford to have a conscience. He could now consult at leisure one of the most expensive and most highly recommended psychiatrists in Paris. "You have to listen to her, she makes you listen, first of all," they said?"they" being at least four people. He sat blissfully in his smart clothes and listened. He sat before her desk in a leather chair with arms; he lounged. It was strange how so many people of the past had been under the impression he had already collected the money left for him in a special account. Even his benefactor's wife had not known about its existence.

He might, in fact, have been anybody. But she arranged for the money to be handed over without a question. His name was Lucky and lucky he was indeed.

But money did not last. He gambled greatly.

The windows of Dr. Wolf's consulting rooms on the Boulevard St. Germain were double-glazed to allow only a pleasing hum of traffic to penetrate.

"I don't know how it struck you," said Hildegard (Dr. Wolf) to her patient. "But to me, selling one's soul to the Devil involves murder. Anything less is not worthy of the designation. You can sell your soul to a number of agents, let's face it, but to the Devil there has to be a killing or so involved. In my case, it was many years ago, I was treating a patient who became psychologically dependent on me. A young man, not very nice. His problem was a tendency to suicide. One was tempted to encourage him in his desire. He was simply nasty, simply cruel. His fortune was immense. I was offered a sum of money by his cousin, the next of kin, to slide this awful young man down the slope. But I didn't. I sensed the meanness of the cousin, and doubted whether he would really have parted with the money once my patient was dead. I refused. Perhaps, if I had been offered a substantially larger sum, I would have made that pact with the Devil. Who knows? As it was, I said no, I wouldn't urge the awful young man to take his own life. In fact I encouraged him to live. But to do otherwise would have definitely, I think, led to his death and I would have been guilty of murder."
 
"Did he ever take his life, then?"

"No, he is alive today."

The Englishman was looking at Hildegard in a penetrating way as if to read her true thoughts. Perhaps he wondered if she was in fact trying to tell him that she doubted his story. He wanted to get away from her office, now. He had paid for his first session on demand, a very stiff fee, as he reckoned, of fifteen hundred dollars for three quarters of an hour. But she talked on. He sat and listened with a large bulging leather briefcase at his feet.

For the rest of the period she told him she had been living in Paris now for over twelve years, and found it congenial to her way of life and her work. She told him she had a great many friends in the fields of medicine, music, religion and art, and although well into her forties, it was just possible she might still marry. "But I would never give up my profession," she said. "I do so love it."
 
His time was up, and she had not asked him a single question about himself. She took it for granted he would continue with her. She shook hands and told him to fix his next appointment with the receptionist. Which, in fact, he did.

It was towards the end of that month that Hildegard asked him her first question.

"What can I do for you?" she said, as if he was positively intruding on her professional time.

He gave her an arrogant look, sweeping her face. "First," he said, "I have to tell you that I'm wanted by the police on two counts: murder and attempted murder. I have been wanted for over twenty years. I am the missing Lord Lucan."

Author

Muriel Spark's many novels include Memento Mori, The Girls of Slender Means, A Far Cry From Kensington, The Prime Of Miss Jean Brodie (adapted for film and theatre), Aiding And Abetting and her final novel, The Finishing School. She was elected C. Litt in 1992 and awarded the DBE in 1993. Dame Muriel Spark received many awards, including the James Tait Black Memorial Prize, the FNAC Prix Etranger, the Saltire Prize, the Ingersoll T. S. Eliot Award and the David Cohen British Literature Prize in recognition of a lifetime's literary achievement. Dame Muriel Spark died in 2006. View titles by Muriel Spark