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Transmission and the Individual Remix

Author Tom McCarthy
Ebook
Knopf | Vintage
On sale Jun 04, 2012 | 64 Pages | 9780345803276
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Winner of the Donald Windham-Sandy M. Campbell Literature Prize

Sub-titled "How Literature Works" this essay by the renown novelist is a provocative and entertaining work of postmodern theory that re-evaluates literature and literary meaning from Aeschylus to Kraftwerk. 

Tom McCarthy is one of the most vital young voices in contemporary literature, and in this essay he identifies the signals that have been repeating, pulsing, modulating in the airspace of the novel, poem, play—in their lines, between them and around them--since each of these forms began. Tom takes us back to the Greeks and the origins of literary meaning to show that information, rather than being a natural or abstract phenomenon, is always based in artificial media--in ones and zeros, dots and dashes, signals and noise. He takes us through Ovid, Rilke, Conrad, Joyce, Beckett, and others to re-imagine the very idea of what a writer does, and what the act of writing is. Rather than praising individual creative genius, Tom re-tunes our ears to the crackle of information as it has passed through the feedback loop of literary culture.
© Nicole Strasser
TOM MCCARTHY's work has been translated into more than twenty languages and adapted for cinema, theater, and radio. His novel, C, was shortlisted for the Man Booker Prize, the Walter Scott Prize, and the European Literature Prize; his fourth, Satin Island, was shortlisted for the Man Booker Prize and the Goldsmiths Prize. In 2013 he was awarded the inaugural Windham-Campbell Literature Prize by Yale University. McCarthy is also the author of the study Tintin and the Secret of Literature, and the essay collection Typewriters, Bombs, and Jellyfish. He lives in Berlin. View titles by Tom McCarthy

About

Winner of the Donald Windham-Sandy M. Campbell Literature Prize

Sub-titled "How Literature Works" this essay by the renown novelist is a provocative and entertaining work of postmodern theory that re-evaluates literature and literary meaning from Aeschylus to Kraftwerk. 

Tom McCarthy is one of the most vital young voices in contemporary literature, and in this essay he identifies the signals that have been repeating, pulsing, modulating in the airspace of the novel, poem, play—in their lines, between them and around them--since each of these forms began. Tom takes us back to the Greeks and the origins of literary meaning to show that information, rather than being a natural or abstract phenomenon, is always based in artificial media--in ones and zeros, dots and dashes, signals and noise. He takes us through Ovid, Rilke, Conrad, Joyce, Beckett, and others to re-imagine the very idea of what a writer does, and what the act of writing is. Rather than praising individual creative genius, Tom re-tunes our ears to the crackle of information as it has passed through the feedback loop of literary culture.

Author

© Nicole Strasser
TOM MCCARTHY's work has been translated into more than twenty languages and adapted for cinema, theater, and radio. His novel, C, was shortlisted for the Man Booker Prize, the Walter Scott Prize, and the European Literature Prize; his fourth, Satin Island, was shortlisted for the Man Booker Prize and the Goldsmiths Prize. In 2013 he was awarded the inaugural Windham-Campbell Literature Prize by Yale University. McCarthy is also the author of the study Tintin and the Secret of Literature, and the essay collection Typewriters, Bombs, and Jellyfish. He lives in Berlin. View titles by Tom McCarthy

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