Books for Arab American Heritage Month
In honor of Arab American Heritage Month in April, we are sharing books by Arab and Arab American authors that share their culture, history, and personal lives.
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Foundations of Drawing
A Practical Guide to Art History, Tools, Techniques, and Styles
From a leading art instructor at the Pennsylvania Academy of Fine Arts in Philadelphia, a complete survey of drawing as an art form covering its history, materials, and key techniques, alongside step-by-step demonstrations.
Foundations of Drawing is a comprehensive and authoritative overview of the history, aesthetics, methods, and materials of the drawing medium. Throughout, clearly defined demonstrations provide easy access to the practice of drawing as well as the history and development of core drawing techniques. Richly illustrated, the book contains reproductions of the finest master drawings from the fifteenth century to the present. Unlike other drawing instruction books that focus on step-by-step lessons exclusively, Foundations of Drawing provides readers with the context and background to help understand just why these materials and methods are so vital for successful drawing.
INTRODUCTION
Foundations of Drawing is a guide for teachers, students, artists, and the general reader to the traditions and practice of drawing in Western culture. This overview of the history of drawing and of drawing materials, concepts, and techniques provides a practical look at the art of drawing and will be a useful text for anyone who is interested in learning about drawing, returning to drawing, studying drawing, or teaching drawing as well as for longtime practitioners of the art. The book takes the point of view that clear information on the history, materials, and techniques of drawing creates the ability to understand drawing, make choices, and chart one’s development in drawing with a sense of confidence.
Foundations of Drawing focuses on classic drawing mediums such as pencil and charcoal while also presenting an overview of a broad range of other materials, including chalk and oil pastels, watercolors, and acrylics. Not all materials are discussed in depth, but the essential ones are presented. Traditional materials and methods are illustrated through examples of old master and contemporary drawings as well as through demonstrations of basic concepts. The essential elements and concepts of core drawing genres—still life, interiors, portraiture, life drawing, and landscape—are presented for foundational drawing study and portfolio-making. More experienced artists can use Foundations of Drawing as a sourcebook and a point of departure for further personal growth and artistic exploration.
Drawing is an essential part of a portfolio for art school admittance. Drawing shows whether or not the applicant has a basic ability to understand visual organization and use the formal principals of shape, form, line, light, and perspective. It also shows whether or not the applicant can visualize creative ideas and concepts.
What Is Drawing?
For many centuries, drawing has been a practical approach to visualizing and planning everything from human figures in an oil painting to designing machine parts, buildings, and textiles. Simple materials such as graphite pencils, charcoal, and ink have been the primary means for doing the great majority of drawings.
The term drawing now encompasses a wide range of traditional and nontraditional mediums, approaches, and aesthetics. Modern technology has created new versions of old materials and has sometimes even replaced them. For example, fine-point marker pens have added to or replaced older dip pens and ink bottles for some artists. Some artists rely on and cherish traditional materials and methods, while others draw only on computer screens. And some artists draw experimentally using materials their Renaissance ancestors would think very strange: blood, tar, food, and computer drawing pads.
Also, the aesthetics of drawing, which traditionally focused on a figure, an object, or a scene, now include abstract and conceptual forms having little to do with nature and more to do with how the artist personally interprets the world. Once thought of as the province of trained artists or skilled amateurs, drawing is now recognized as part of the language of children, the mentally disabled, and self-taught or outsider artists. Prisoners and victims of social injustice draw in order to document their social and political experiences.
Foundations of Drawing is a guide for teachers, students, artists, and the general reader to the traditions and practice of drawing in Western culture. This overview of the history of drawing and of drawing materials, concepts, and techniques provides a practical look at the art of drawing and will be a useful text for anyone who is interested in learning about drawing, returning to drawing, studying drawing, or teaching drawing as well as for longtime practitioners of the art. The book takes the point of view that clear information on the history, materials, and techniques of drawing creates the ability to understand drawing, make choices, and chart one’s development in drawing with a sense of confidence.
Foundations of Drawing focuses on classic drawing mediums such as pencil and charcoal while also presenting an overview of a broad range of other materials, including chalk and oil pastels, watercolors, and acrylics. Not all materials are discussed in depth, but the essential ones are presented. Traditional materials and methods are illustrated through examples of old master and contemporary drawings as well as through demonstrations of basic concepts. The essential elements and concepts of core drawing genres—still life, interiors, portraiture, life drawing, and landscape—are presented for foundational drawing study and portfolio-making. More experienced artists can use Foundations of Drawing as a sourcebook and a point of departure for further personal growth and artistic exploration.
Drawing is an essential part of a portfolio for art school admittance. Drawing shows whether or not the applicant has a basic ability to understand visual organization and use the formal principals of shape, form, line, light, and perspective. It also shows whether or not the applicant can visualize creative ideas and concepts.
What Is Drawing?
For many centuries, drawing has been a practical approach to visualizing and planning everything from human figures in an oil painting to designing machine parts, buildings, and textiles. Simple materials such as graphite pencils, charcoal, and ink have been the primary means for doing the great majority of drawings.
The term drawing now encompasses a wide range of traditional and nontraditional mediums, approaches, and aesthetics. Modern technology has created new versions of old materials and has sometimes even replaced them. For example, fine-point marker pens have added to or replaced older dip pens and ink bottles for some artists. Some artists rely on and cherish traditional materials and methods, while others draw only on computer screens. And some artists draw experimentally using materials their Renaissance ancestors would think very strange: blood, tar, food, and computer drawing pads.
Also, the aesthetics of drawing, which traditionally focused on a figure, an object, or a scene, now include abstract and conceptual forms having little to do with nature and more to do with how the artist personally interprets the world. Once thought of as the province of trained artists or skilled amateurs, drawing is now recognized as part of the language of children, the mentally disabled, and self-taught or outsider artists. Prisoners and victims of social injustice draw in order to document their social and political experiences.
Copyright © 2017 by Al Gury. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
About
From a leading art instructor at the Pennsylvania Academy of Fine Arts in Philadelphia, a complete survey of drawing as an art form covering its history, materials, and key techniques, alongside step-by-step demonstrations.
Foundations of Drawing is a comprehensive and authoritative overview of the history, aesthetics, methods, and materials of the drawing medium. Throughout, clearly defined demonstrations provide easy access to the practice of drawing as well as the history and development of core drawing techniques. Richly illustrated, the book contains reproductions of the finest master drawings from the fifteenth century to the present. Unlike other drawing instruction books that focus on step-by-step lessons exclusively, Foundations of Drawing provides readers with the context and background to help understand just why these materials and methods are so vital for successful drawing.
Excerpt
INTRODUCTION
Foundations of Drawing is a guide for teachers, students, artists, and the general reader to the traditions and practice of drawing in Western culture. This overview of the history of drawing and of drawing materials, concepts, and techniques provides a practical look at the art of drawing and will be a useful text for anyone who is interested in learning about drawing, returning to drawing, studying drawing, or teaching drawing as well as for longtime practitioners of the art. The book takes the point of view that clear information on the history, materials, and techniques of drawing creates the ability to understand drawing, make choices, and chart one’s development in drawing with a sense of confidence.
Foundations of Drawing focuses on classic drawing mediums such as pencil and charcoal while also presenting an overview of a broad range of other materials, including chalk and oil pastels, watercolors, and acrylics. Not all materials are discussed in depth, but the essential ones are presented. Traditional materials and methods are illustrated through examples of old master and contemporary drawings as well as through demonstrations of basic concepts. The essential elements and concepts of core drawing genres—still life, interiors, portraiture, life drawing, and landscape—are presented for foundational drawing study and portfolio-making. More experienced artists can use Foundations of Drawing as a sourcebook and a point of departure for further personal growth and artistic exploration.
Drawing is an essential part of a portfolio for art school admittance. Drawing shows whether or not the applicant has a basic ability to understand visual organization and use the formal principals of shape, form, line, light, and perspective. It also shows whether or not the applicant can visualize creative ideas and concepts.
What Is Drawing?
For many centuries, drawing has been a practical approach to visualizing and planning everything from human figures in an oil painting to designing machine parts, buildings, and textiles. Simple materials such as graphite pencils, charcoal, and ink have been the primary means for doing the great majority of drawings.
The term drawing now encompasses a wide range of traditional and nontraditional mediums, approaches, and aesthetics. Modern technology has created new versions of old materials and has sometimes even replaced them. For example, fine-point marker pens have added to or replaced older dip pens and ink bottles for some artists. Some artists rely on and cherish traditional materials and methods, while others draw only on computer screens. And some artists draw experimentally using materials their Renaissance ancestors would think very strange: blood, tar, food, and computer drawing pads.
Also, the aesthetics of drawing, which traditionally focused on a figure, an object, or a scene, now include abstract and conceptual forms having little to do with nature and more to do with how the artist personally interprets the world. Once thought of as the province of trained artists or skilled amateurs, drawing is now recognized as part of the language of children, the mentally disabled, and self-taught or outsider artists. Prisoners and victims of social injustice draw in order to document their social and political experiences.
Foundations of Drawing is a guide for teachers, students, artists, and the general reader to the traditions and practice of drawing in Western culture. This overview of the history of drawing and of drawing materials, concepts, and techniques provides a practical look at the art of drawing and will be a useful text for anyone who is interested in learning about drawing, returning to drawing, studying drawing, or teaching drawing as well as for longtime practitioners of the art. The book takes the point of view that clear information on the history, materials, and techniques of drawing creates the ability to understand drawing, make choices, and chart one’s development in drawing with a sense of confidence.
Foundations of Drawing focuses on classic drawing mediums such as pencil and charcoal while also presenting an overview of a broad range of other materials, including chalk and oil pastels, watercolors, and acrylics. Not all materials are discussed in depth, but the essential ones are presented. Traditional materials and methods are illustrated through examples of old master and contemporary drawings as well as through demonstrations of basic concepts. The essential elements and concepts of core drawing genres—still life, interiors, portraiture, life drawing, and landscape—are presented for foundational drawing study and portfolio-making. More experienced artists can use Foundations of Drawing as a sourcebook and a point of departure for further personal growth and artistic exploration.
Drawing is an essential part of a portfolio for art school admittance. Drawing shows whether or not the applicant has a basic ability to understand visual organization and use the formal principals of shape, form, line, light, and perspective. It also shows whether or not the applicant can visualize creative ideas and concepts.
What Is Drawing?
For many centuries, drawing has been a practical approach to visualizing and planning everything from human figures in an oil painting to designing machine parts, buildings, and textiles. Simple materials such as graphite pencils, charcoal, and ink have been the primary means for doing the great majority of drawings.
The term drawing now encompasses a wide range of traditional and nontraditional mediums, approaches, and aesthetics. Modern technology has created new versions of old materials and has sometimes even replaced them. For example, fine-point marker pens have added to or replaced older dip pens and ink bottles for some artists. Some artists rely on and cherish traditional materials and methods, while others draw only on computer screens. And some artists draw experimentally using materials their Renaissance ancestors would think very strange: blood, tar, food, and computer drawing pads.
Also, the aesthetics of drawing, which traditionally focused on a figure, an object, or a scene, now include abstract and conceptual forms having little to do with nature and more to do with how the artist personally interprets the world. Once thought of as the province of trained artists or skilled amateurs, drawing is now recognized as part of the language of children, the mentally disabled, and self-taught or outsider artists. Prisoners and victims of social injustice draw in order to document their social and political experiences.
Copyright © 2017 by Al Gury. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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