Home to Harlem

Introduction by Belinda Edmondson
Paperback
$18.00 US
On sale Feb 04, 2025 | 224 Pages | 9780143138587
Claude McKay’s most well-known Harlem Renaissance novel now in Penguin Classics

A Penguin Classic


Claude McKay’s first novel, Home to Harlem, was published in 1928 during the height of the Harlem Renaissance. McKay portrays Harlem post-WWI through two Black migrants to New York: Jake, a Southern-born African American longshoreman who deserts the U.S. army and returns to his home in Harlem; and Ray, an educated Haitian immigrant. With his innovative use of Black dialects, McKay portrays a complex world of Black people, both native-born and immigrant, who navigate a dynamic society in the midst of radical change. Harlem is portrayed as a cauldron of Black life where Black people experience both White racism and intra-Black prejudice as well as sexual freedom and pleasure, all through the prism of Harlem’s jazz nightlife. Home to Harlem sparked controversy among Black critics. W.E.B. Du Bois considered it reductive and stereotypical while Marcus Garvey accused McKay of pandering to racist white tastes for degrading depictions of Blacks. Other critics such as Langston Hughes embraced Home to Harlem for its frank depictions of modern Black working class life and its meditation on enduring social inequalities. This debate within the Harlem’s intellectual community, combined with the curiosity of white readers to learn more about this modern Black space, drove Home to Harlem to become the first commercial bestseller by a Black novelist in the United States.
© Carl Van Vechten/Beinecke Lib.
Claude McKay (1889–1948), born Festus Claudius McKay, is widely regarded as one of the most important literary and political writers of the interwar period and the Harlem Renaissance. Born in Jamaica, he moved to the U.S. in 1912 to study at the Tuskegee Institute. In 1928, he published his most famous novel, Home to Harlem, which won the Harmon Gold Award for Literature. He also published two other novels, Banjo and Banana Bottom, as well as a collection of short stories, Gingertown, two autobiographical books, A Long Way from Home and My Green Hills of Jamaica, and a work of nonfiction, Harlem: Negro Metropolis. His Selected Poems was published posthumously, and in 1977 he was named the national poet of Jamaica.
 
Brent Hayes Edwards is a professor in the Department of English and Comparative Literature at Columbia University. His books include The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism and Epistrophies: Jazz and the Literary Imagination
 
Jean-Christophe Cloutier is an assistant professor of English at the University of Pennsylvania. He is the editor of Jack Kerouac’s original French writings, La vie est d’hommage (2016), and translator of Kerouac’s two French novellas in The Unknown Kerouac: Rare, Unpublished & Newly Translated Writings (2016), and his essay on the first collaboration between Ralph Ellison and Gordon Parks appears in Invisible Man: Gordon Parks and Ralph Ellison in Harlem (2016). View titles by Claude McKay

About

Claude McKay’s most well-known Harlem Renaissance novel now in Penguin Classics

A Penguin Classic


Claude McKay’s first novel, Home to Harlem, was published in 1928 during the height of the Harlem Renaissance. McKay portrays Harlem post-WWI through two Black migrants to New York: Jake, a Southern-born African American longshoreman who deserts the U.S. army and returns to his home in Harlem; and Ray, an educated Haitian immigrant. With his innovative use of Black dialects, McKay portrays a complex world of Black people, both native-born and immigrant, who navigate a dynamic society in the midst of radical change. Harlem is portrayed as a cauldron of Black life where Black people experience both White racism and intra-Black prejudice as well as sexual freedom and pleasure, all through the prism of Harlem’s jazz nightlife. Home to Harlem sparked controversy among Black critics. W.E.B. Du Bois considered it reductive and stereotypical while Marcus Garvey accused McKay of pandering to racist white tastes for degrading depictions of Blacks. Other critics such as Langston Hughes embraced Home to Harlem for its frank depictions of modern Black working class life and its meditation on enduring social inequalities. This debate within the Harlem’s intellectual community, combined with the curiosity of white readers to learn more about this modern Black space, drove Home to Harlem to become the first commercial bestseller by a Black novelist in the United States.

Author

© Carl Van Vechten/Beinecke Lib.
Claude McKay (1889–1948), born Festus Claudius McKay, is widely regarded as one of the most important literary and political writers of the interwar period and the Harlem Renaissance. Born in Jamaica, he moved to the U.S. in 1912 to study at the Tuskegee Institute. In 1928, he published his most famous novel, Home to Harlem, which won the Harmon Gold Award for Literature. He also published two other novels, Banjo and Banana Bottom, as well as a collection of short stories, Gingertown, two autobiographical books, A Long Way from Home and My Green Hills of Jamaica, and a work of nonfiction, Harlem: Negro Metropolis. His Selected Poems was published posthumously, and in 1977 he was named the national poet of Jamaica.
 
Brent Hayes Edwards is a professor in the Department of English and Comparative Literature at Columbia University. His books include The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism and Epistrophies: Jazz and the Literary Imagination
 
Jean-Christophe Cloutier is an assistant professor of English at the University of Pennsylvania. He is the editor of Jack Kerouac’s original French writings, La vie est d’hommage (2016), and translator of Kerouac’s two French novellas in The Unknown Kerouac: Rare, Unpublished & Newly Translated Writings (2016), and his essay on the first collaboration between Ralph Ellison and Gordon Parks appears in Invisible Man: Gordon Parks and Ralph Ellison in Harlem (2016). View titles by Claude McKay