After Tupac and D Foster

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Paperback
$8.99 US
On sale Jan 07, 2010 | 192 Pages | 9780142413999

 

A Newbery Honor Book

The day D Foster enters Neeka and her best friend’s lives, the world opens up for them. Suddenly they’re keenly aware of things beyond their block in Queens, things that are happening in the world—like the shooting of Tupac Shakur—and in search of their Big Purpose in life. When—all too soon—D’s mom swoops in to reclaim her, and Tupac dies, they are left with a sense of how quickly things can change and how even all-too-brief connections can touch deeply.

Includes a Discussion Guide by Jacqueline Woodson


"A slender, note-perfect novel."—The Washington Post

"The subtlety and depth with which the author conveys the girls' relationships lend this novel exceptional vividness and staying power."—Publishers Weekly 

"Jacqueline Woodson has written another absorbing story that all readers—especially those who have felt the loss of a friendship—will identify with."—Children's Literature 

"Woodson creates a thought-provoking story about the importance of acceptance and connections in life."—VOYA

The summer before D Foster’s real mama came and took her away, Tupac wasn’t dead yet. He’d been shot five times—two in the head, two down by his leg and thing and one shot that went in his hand and came out the other side and went through a vein or something. All the doctors were saying he should have died and were bringing other doctors up to his room to show everybody what a medical miracle he was. That’s what they called him. A Medical Miracle. Like he wasn’t even a real person. Like he was just something to be looked at and turned this way and that way and poked at. Like he wasn’t Tupac.

D Foster showed up a few months before Tupac got shot that first time and left us the summer before he died. By the time her mama came and got her and she took one last walk on out of our lives, I felt like we’d grown up and grown old and lived a hundred lives in those few years that we knew her. But we hadn’t really. We’d just gone from being eleven to being thirteen. Three girls. Three the Hard Way. In the end, it was just me and Neeka again.

The first time Tupac got shot, it was November 1994. Cold as anything everywhere in the city and me, Neeka, D and everybody else was shivering our behinds through the winter with nobody thinking Pac was gonna make it. Then, right after he had some surgery, he checked himself out of the hospital even though the doctors was trying to tell him he wasn’t well enough to be doing that. That’s when everybody around here started talking about what a true gangsta he was. At least that’s what all the kids were thinking. The churchgoing people just kept saying he had God with him. Some of the parents were saying what they’d always been saying about him—that he was heading right to what he got because he was a bad example for kids, especially black kids like us. Crazy stuff about Tupac being a disgrace to the race and blah, blah, blah. The wannabe gangsta kids just kept saying Tupac was gonna get revenge on whoever did that to him.

But when I saw Tupac like that—coming out of the hospital, all skinny and small-looking in that wheelchair, big guards around him—I remember thinking, He ain’t gonna try to get revenge on nobody and he ain’t trying to be a disgrace to anybody either. Just trying to keep on. Even though he wasn’t smiling, I knew he was just happy and confused about still being alive.

Went on like that all winter long, then February came and they sent Tupac to jail for some dumb stuff and people started talking about that—the negative peeps talking about that’s where he needed to be and all the rest of us saying how messed up the law was when you didn’t look and act like people thought you should.

Spring came and Pac dropped his album from prison and this one song on it was real tight, so we all just listened to it and talked about how bad-ass Pac was—that he wasn’t even gonna let being in jail stop him from making his music. Me and Neeka and D had all turned twelve by then, but we still believed stuff—like that we’d grow up and marry beautiful rapper guys who’d buy us huge houses out in the country. We talked about how they’d be all crazy over us and if some other girl walked by who was fine or something, they wouldn’t even turn their heads to look because they’d be so in love with us and all. Stupid stuff like that.

In jail, Pac started getting clear about thug life, saying it wasn’t the right thing. He got all righteous about it and whatnot, and with all the rappers shooting on each other and stuff, it wasn’t hard to agree with him.

Time kept passing on that way. Things and people changing. First, D turned thirteen, then me and Neeka were right there behind her—us all turning into teenagers, getting body, getting tall, boys acting stupid over us.

Seems soon as we started settling into all that changing, D’s mama came—took her away from us.

And time kept on creeping.

Then Tupac went and died and it got me thinking about D. About the short time she was with us and about how you could know somebody real good but not know them at the same time. And it made me want to remember. Yeah, I guess that’s it. I guess that’s what I’m trying to do now. . . .
  • WINNER
    Newbery Honor Book
© John D. and Catherine T. MacArthur Foundation
Jacqueline Woodson (www.jacquelinewoodson.com) received a 2023 Guggenheim Foundation Fellowship, a 2020 MacArthur Fellowship, the 2020 Hans Christian Andersen Award, the 2018 Astrid Lindgren Memorial Award, and the 2018 Children’s Literature Legacy Award. She was the 2018–2019 National Ambassador for Young People’s Literature, and in 2015, she was named the Young People’s Poet Laureate by the Poetry Foundation. She received the 2014 National Book Award for her New York Times bestselling memoir Brown Girl Dreaming, which was also a recipient of the Coretta Scott King Award, a Newbery Honor, the NAACP Image Award, and a Sibert Honor. She wrote the adult books Red at the Bone, a New York Times bestseller, and Another Brooklyn, a 2016 National Book Award finalist. Born in Columbus, Ohio, Jacqueline grew up in Greenville, South Carolina, and Brooklyn, New York, and graduated from college with a B.A. in English. She is the author of dozens of award-winning books for young adults, middle graders, and children; among her many accolades, she is a four-time Newbery Honor winner, a four-time National Book Award finalist, and a three-time Coretta Scott King Award winner. Her books include Coretta Scott King Award and NAACP Image Award winner Before the Ever After; New York Times bestsellers The Day You Begin and Harbor Me; The Other Side, Caldecott Honor book Coming On Home Soon; Newbery Honor winners Feathers, Show Way, and After Tupac and D Foster; Miracle's Boys, which received the LA Times Book Prize and the Coretta Scott King Award; and Each Kindness, which won the Jane Addams Children’s Book Award. Jacqueline is also a recipient of the Margaret A. Edwards Award for lifetime achievement for her contributions to young adult literature. She lives with her family in Brooklyn, New York. View titles by Jacqueline Woodson

About

 

A Newbery Honor Book

The day D Foster enters Neeka and her best friend’s lives, the world opens up for them. Suddenly they’re keenly aware of things beyond their block in Queens, things that are happening in the world—like the shooting of Tupac Shakur—and in search of their Big Purpose in life. When—all too soon—D’s mom swoops in to reclaim her, and Tupac dies, they are left with a sense of how quickly things can change and how even all-too-brief connections can touch deeply.

Includes a Discussion Guide by Jacqueline Woodson


"A slender, note-perfect novel."—The Washington Post

"The subtlety and depth with which the author conveys the girls' relationships lend this novel exceptional vividness and staying power."—Publishers Weekly 

"Jacqueline Woodson has written another absorbing story that all readers—especially those who have felt the loss of a friendship—will identify with."—Children's Literature 

"Woodson creates a thought-provoking story about the importance of acceptance and connections in life."—VOYA

Excerpt

The summer before D Foster’s real mama came and took her away, Tupac wasn’t dead yet. He’d been shot five times—two in the head, two down by his leg and thing and one shot that went in his hand and came out the other side and went through a vein or something. All the doctors were saying he should have died and were bringing other doctors up to his room to show everybody what a medical miracle he was. That’s what they called him. A Medical Miracle. Like he wasn’t even a real person. Like he was just something to be looked at and turned this way and that way and poked at. Like he wasn’t Tupac.

D Foster showed up a few months before Tupac got shot that first time and left us the summer before he died. By the time her mama came and got her and she took one last walk on out of our lives, I felt like we’d grown up and grown old and lived a hundred lives in those few years that we knew her. But we hadn’t really. We’d just gone from being eleven to being thirteen. Three girls. Three the Hard Way. In the end, it was just me and Neeka again.

The first time Tupac got shot, it was November 1994. Cold as anything everywhere in the city and me, Neeka, D and everybody else was shivering our behinds through the winter with nobody thinking Pac was gonna make it. Then, right after he had some surgery, he checked himself out of the hospital even though the doctors was trying to tell him he wasn’t well enough to be doing that. That’s when everybody around here started talking about what a true gangsta he was. At least that’s what all the kids were thinking. The churchgoing people just kept saying he had God with him. Some of the parents were saying what they’d always been saying about him—that he was heading right to what he got because he was a bad example for kids, especially black kids like us. Crazy stuff about Tupac being a disgrace to the race and blah, blah, blah. The wannabe gangsta kids just kept saying Tupac was gonna get revenge on whoever did that to him.

But when I saw Tupac like that—coming out of the hospital, all skinny and small-looking in that wheelchair, big guards around him—I remember thinking, He ain’t gonna try to get revenge on nobody and he ain’t trying to be a disgrace to anybody either. Just trying to keep on. Even though he wasn’t smiling, I knew he was just happy and confused about still being alive.

Went on like that all winter long, then February came and they sent Tupac to jail for some dumb stuff and people started talking about that—the negative peeps talking about that’s where he needed to be and all the rest of us saying how messed up the law was when you didn’t look and act like people thought you should.

Spring came and Pac dropped his album from prison and this one song on it was real tight, so we all just listened to it and talked about how bad-ass Pac was—that he wasn’t even gonna let being in jail stop him from making his music. Me and Neeka and D had all turned twelve by then, but we still believed stuff—like that we’d grow up and marry beautiful rapper guys who’d buy us huge houses out in the country. We talked about how they’d be all crazy over us and if some other girl walked by who was fine or something, they wouldn’t even turn their heads to look because they’d be so in love with us and all. Stupid stuff like that.

In jail, Pac started getting clear about thug life, saying it wasn’t the right thing. He got all righteous about it and whatnot, and with all the rappers shooting on each other and stuff, it wasn’t hard to agree with him.

Time kept passing on that way. Things and people changing. First, D turned thirteen, then me and Neeka were right there behind her—us all turning into teenagers, getting body, getting tall, boys acting stupid over us.

Seems soon as we started settling into all that changing, D’s mama came—took her away from us.

And time kept on creeping.

Then Tupac went and died and it got me thinking about D. About the short time she was with us and about how you could know somebody real good but not know them at the same time. And it made me want to remember. Yeah, I guess that’s it. I guess that’s what I’m trying to do now. . . .

Awards

  • WINNER
    Newbery Honor Book

Author

© John D. and Catherine T. MacArthur Foundation
Jacqueline Woodson (www.jacquelinewoodson.com) received a 2023 Guggenheim Foundation Fellowship, a 2020 MacArthur Fellowship, the 2020 Hans Christian Andersen Award, the 2018 Astrid Lindgren Memorial Award, and the 2018 Children’s Literature Legacy Award. She was the 2018–2019 National Ambassador for Young People’s Literature, and in 2015, she was named the Young People’s Poet Laureate by the Poetry Foundation. She received the 2014 National Book Award for her New York Times bestselling memoir Brown Girl Dreaming, which was also a recipient of the Coretta Scott King Award, a Newbery Honor, the NAACP Image Award, and a Sibert Honor. She wrote the adult books Red at the Bone, a New York Times bestseller, and Another Brooklyn, a 2016 National Book Award finalist. Born in Columbus, Ohio, Jacqueline grew up in Greenville, South Carolina, and Brooklyn, New York, and graduated from college with a B.A. in English. She is the author of dozens of award-winning books for young adults, middle graders, and children; among her many accolades, she is a four-time Newbery Honor winner, a four-time National Book Award finalist, and a three-time Coretta Scott King Award winner. Her books include Coretta Scott King Award and NAACP Image Award winner Before the Ever After; New York Times bestsellers The Day You Begin and Harbor Me; The Other Side, Caldecott Honor book Coming On Home Soon; Newbery Honor winners Feathers, Show Way, and After Tupac and D Foster; Miracle's Boys, which received the LA Times Book Prize and the Coretta Scott King Award; and Each Kindness, which won the Jane Addams Children’s Book Award. Jacqueline is also a recipient of the Margaret A. Edwards Award for lifetime achievement for her contributions to young adult literature. She lives with her family in Brooklyn, New York. View titles by Jacqueline Woodson

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