"I cannot be patient, I cannot be passive, when my virtue is in danger."

Fifteen-year-old Pamela Andrews, alone and unprotected, is relentlessly pursued by her dead mistress’s son. Although she is attracted to young Mr B., she holds out against his demands and threats of abduction and rape, determined to defend her virginity and abide by her own moral standards. Psychologically acute in its investigations of sex, freedom and power, Richardson’s first novel caused a sensation when it was first published, with its depiction of a servant heroine who dares to assert herself. Richly comic and full of lively scenes and descriptions, Pamela contains a diverse cast of characters, ranging from the vulgar and malevolent Mrs Jewkes to the aggressive but awkward country squire who serves this unusual love story as both its villain and its hero.

This edition incorporates all the revisions made by Richardson in his lifetime. Margaret A. Doody’s introduction discusses the genre of epistolary novels, and examines characterization, the role of women and class differences in Pamela.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Samuel Richardson was born in Derbyshire in 1689, the son of a London joiner. He received little formal education and in 1707 was apprenticed to a printer in the capital. Thirteen years later he set up for himself as a stationer and printer and became one of the leading figures in the London trade. As a printer his output included political writing, such as the Tory periodical The True Briton, the newspapers, Daily Journal (1736-7) and Daily Gazeteer (1738), together with twenty-six volumes of the Journals of the House of Commons and general law printing. He was twice married and had twelve children.

His literary career began when two booksellers proposed that he should compile a volume of model letters for unskilled letter writers. While preparing this Richardson became fascinated by the project, and a small sequence of letters from a daughter in service, asking her father’s advice when threatened by her master’s advances, formed the germ of Pamela; or, Virtue Rewarded (1740-41). Pamela was a huge success and became something of a cult novel. By May 1741 it reached a fourth edition and was dramatized in Italy by Goldoni, as well as in England. His masterpiece, Clarissa or, the History of a Young Lady, one of the greatest European novels, was published in 1747-8. Richardson’s last novel, The History of Sir Charles Grandison, appeared in 1753-4. His writings brought him great personal acclaim and a coterie of devoted admirers who liked to discuss with him the moral aspects of the action in the novels. Samuel Richardson died in 1761 and is buried in St Bride’s Church, London.

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"I cannot be patient, I cannot be passive, when my virtue is in danger."

Fifteen-year-old Pamela Andrews, alone and unprotected, is relentlessly pursued by her dead mistress’s son. Although she is attracted to young Mr B., she holds out against his demands and threats of abduction and rape, determined to defend her virginity and abide by her own moral standards. Psychologically acute in its investigations of sex, freedom and power, Richardson’s first novel caused a sensation when it was first published, with its depiction of a servant heroine who dares to assert herself. Richly comic and full of lively scenes and descriptions, Pamela contains a diverse cast of characters, ranging from the vulgar and malevolent Mrs Jewkes to the aggressive but awkward country squire who serves this unusual love story as both its villain and its hero.

This edition incorporates all the revisions made by Richardson in his lifetime. Margaret A. Doody’s introduction discusses the genre of epistolary novels, and examines characterization, the role of women and class differences in Pamela.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Author

Samuel Richardson was born in Derbyshire in 1689, the son of a London joiner. He received little formal education and in 1707 was apprenticed to a printer in the capital. Thirteen years later he set up for himself as a stationer and printer and became one of the leading figures in the London trade. As a printer his output included political writing, such as the Tory periodical The True Briton, the newspapers, Daily Journal (1736-7) and Daily Gazeteer (1738), together with twenty-six volumes of the Journals of the House of Commons and general law printing. He was twice married and had twelve children.

His literary career began when two booksellers proposed that he should compile a volume of model letters for unskilled letter writers. While preparing this Richardson became fascinated by the project, and a small sequence of letters from a daughter in service, asking her father’s advice when threatened by her master’s advances, formed the germ of Pamela; or, Virtue Rewarded (1740-41). Pamela was a huge success and became something of a cult novel. By May 1741 it reached a fourth edition and was dramatized in Italy by Goldoni, as well as in England. His masterpiece, Clarissa or, the History of a Young Lady, one of the greatest European novels, was published in 1747-8. Richardson’s last novel, The History of Sir Charles Grandison, appeared in 1753-4. His writings brought him great personal acclaim and a coterie of devoted admirers who liked to discuss with him the moral aspects of the action in the novels. Samuel Richardson died in 1761 and is buried in St Bride’s Church, London.

View titles by Samuel Richardson