WASHINGTON POST BEST POETRY COLLECTION OF 2020

A new collection from a poet whose books "are an amazing experience: harrowing, ravishing, essential, unstoppable" (Louise Glück)


Joanna Klink's fifth book begins with poems of personal loss--a tree ripped out by a windstorm, a friendship broken off after decades, the nearing death of parents. Other poems take on the cost of not loving fully, or are written from bewilderment at the accumulation of losses and at the mercilessness of having, as one ages, to rule things out. There are elegies for friends, and a group of devotional poems. The Nightfields closes with thirty-one metaphysical poems inspired by the artist James Turrell's Roden Crater, an extinct volcano in Arizona that Turrell has been transforming into an observatory for the perception of time. The sequence unfolds as a series of revelations that begin in psychic fear and move gradually toward the possibility of infinitude and connection.
THE INFINITIES 

I don't know when it began,
the will to sort moment
from moment, to hold
on by saying I can't
care about the red maple
stripped of color, I choose
the rain disappearing 
at my feet. I choose
this friend to love, the deep
blacks of summer. Abandon
the rest. I am unable to
picture anything so whole
it doesn't crush what's
missing. Is it my body across
many seasons turning
already a little to bone,
or the slow stars precisely
set in depths so vast
the sky is just a dome
within falling domes. 
How is the snowfield
scattered with dry leaves already
a pavillion of twilight. And my arms
just a motion in the great
soundlessness of sky.



I have traded childhood
exuberance for for fragile
acts. I will slip into
corner tables just to watch
people speak. I love the way
they lean into each other
or stretch back with the bluespun
languor of an evening, lights 
strung up on the wood
ceiling to mimic the lift of 
stars. There are no
empty hopes. But knowing
what to hope for is steady
work. What was ever
so important to you you left
your daily life to heed it?
I don't even know what
breathes in the dark hills
outside this town. Some
mornings the roads almost
float, the weeds in the fields
wiry fistfuls of sun. What 
were you looking out for?
What did you dismiss along the way.



Because we live we are granted
names, streams, shocks of
heat, murmuring summers.
All the days you have
ever breathed are swallows
shooting between trees.
When the wind pushes
branches in and out of
shade it is an opening,
as every small gesture
toward another person is
incomprehensibly alive.
Will you be part of the
stoneless passage? When life
starts to take things away
will you grow very still 
beneath the larch
or feel the slow flight of birds
across your body.
The bright key of morning.
The bay fanned with foam.
© Antonia Wolf

Joanna Klink is the author of four books of poetry. She has received awards and fellowships from the Rona Jaffe Foundation, Jeannette Haien Ballard, Civitella Ranieri, the Bogliasco Foundation, the American Academy of Arts and Letters, the Trust of Amy Lowell, and the John Simon Guggenheim Memorial Foundation. She is teaching at the Michener Center in Austin.

View titles by Joanna Klink

About

WASHINGTON POST BEST POETRY COLLECTION OF 2020

A new collection from a poet whose books "are an amazing experience: harrowing, ravishing, essential, unstoppable" (Louise Glück)


Joanna Klink's fifth book begins with poems of personal loss--a tree ripped out by a windstorm, a friendship broken off after decades, the nearing death of parents. Other poems take on the cost of not loving fully, or are written from bewilderment at the accumulation of losses and at the mercilessness of having, as one ages, to rule things out. There are elegies for friends, and a group of devotional poems. The Nightfields closes with thirty-one metaphysical poems inspired by the artist James Turrell's Roden Crater, an extinct volcano in Arizona that Turrell has been transforming into an observatory for the perception of time. The sequence unfolds as a series of revelations that begin in psychic fear and move gradually toward the possibility of infinitude and connection.

Excerpt

THE INFINITIES 

I don't know when it began,
the will to sort moment
from moment, to hold
on by saying I can't
care about the red maple
stripped of color, I choose
the rain disappearing 
at my feet. I choose
this friend to love, the deep
blacks of summer. Abandon
the rest. I am unable to
picture anything so whole
it doesn't crush what's
missing. Is it my body across
many seasons turning
already a little to bone,
or the slow stars precisely
set in depths so vast
the sky is just a dome
within falling domes. 
How is the snowfield
scattered with dry leaves already
a pavillion of twilight. And my arms
just a motion in the great
soundlessness of sky.



I have traded childhood
exuberance for for fragile
acts. I will slip into
corner tables just to watch
people speak. I love the way
they lean into each other
or stretch back with the bluespun
languor of an evening, lights 
strung up on the wood
ceiling to mimic the lift of 
stars. There are no
empty hopes. But knowing
what to hope for is steady
work. What was ever
so important to you you left
your daily life to heed it?
I don't even know what
breathes in the dark hills
outside this town. Some
mornings the roads almost
float, the weeds in the fields
wiry fistfuls of sun. What 
were you looking out for?
What did you dismiss along the way.



Because we live we are granted
names, streams, shocks of
heat, murmuring summers.
All the days you have
ever breathed are swallows
shooting between trees.
When the wind pushes
branches in and out of
shade it is an opening,
as every small gesture
toward another person is
incomprehensibly alive.
Will you be part of the
stoneless passage? When life
starts to take things away
will you grow very still 
beneath the larch
or feel the slow flight of birds
across your body.
The bright key of morning.
The bay fanned with foam.

Author

© Antonia Wolf

Joanna Klink is the author of four books of poetry. She has received awards and fellowships from the Rona Jaffe Foundation, Jeannette Haien Ballard, Civitella Ranieri, the Bogliasco Foundation, the American Academy of Arts and Letters, the Trust of Amy Lowell, and the John Simon Guggenheim Memorial Foundation. She is teaching at the Michener Center in Austin.

View titles by Joanna Klink